Acting is Believing: A Basic Method

accomplish acting actor actress Anton Chekhov Arthur Miller attention audience audition basic beat beginning behavior believe Capulet Chapter character CHUBUKOV concentrate Constantin Stanislavski create David Rabe develop director discover dramatic dramatist drink Edward Albee exercises experience external father feel give given circumstances images imagination important improvisation inner resources intention Ivan Vassilevitch Jerzy Grotowski key lines logical LOMOV look Lu Ann memory movement NATALYA STEPANOVNA necessary object observation obstacle onstage Oxen Meadows performance person Peter Shaffer physical actions picture play playwright problem production puppy purpose quarrel realize rehearsals relation relationship relaxation remember responses role Romeo and Juliet Sam Shepard scene score sensory sensory memory Shakespeare situation speak specific speech Squeezer stage Stanislavski Stephen stimulate subtext talk technique tell tempo-rhythm Tennessee Williams tension Theatre Arts Books things tion Tybalt undermeaning understand verbal action voice walking words York young