Studying Shakespeare: A Guide to the PlaysJohn Wiley & Sons, 15. 4. 2008 - Počet stran: 256 This engaging book draws on all of Shakespeare's plays to show they can still be used as a guide to life.
|
Vyhledávání v knize
Výsledky 1-5 z 84
Strana 1
... characters and situations is nothing new. In 1599 Shakespeare's acting company, the Chamberlain's Men, was paid by supporters of the Earl of Essex to perform an old Shakespeare play, Richard II, the central dramatic event in which is ...
... characters and situations is nothing new. In 1599 Shakespeare's acting company, the Chamberlain's Men, was paid by supporters of the Earl of Essex to perform an old Shakespeare play, Richard II, the central dramatic event in which is ...
Strana 2
... character names as a shorthand for personal characteristics and life's recurrent predicaments shows literature's capacity not just to tell stories and show characters but to tell our stories and show our selves. Lavinia illustrates this ...
... character names as a shorthand for personal characteristics and life's recurrent predicaments shows literature's capacity not just to tell stories and show characters but to tell our stories and show our selves. Lavinia illustrates this ...
Strana 3
... characters and assess their motivations. Character analysis, so popular in the first half of the twentieth century, quickly bordered on self-indulgent creative writing, and by the 1970s had fallen into disrepute. A. C. Bradley's ...
... characters and assess their motivations. Character analysis, so popular in the first half of the twentieth century, quickly bordered on self-indulgent creative writing, and by the 1970s had fallen into disrepute. A. C. Bradley's ...
Strana 4
... character a wholly inappropriate category of analysis” (1992: 58). Heather Dubrow writes that “character has virtually ... characters are, respectively, Lear; Hal; Petruccio and Iago;. ambiguity, epistemology, and aesthetic problems in ...
... character a wholly inappropriate category of analysis” (1992: 58). Heather Dubrow writes that “character has virtually ... characters are, respectively, Lear; Hal; Petruccio and Iago;. ambiguity, epistemology, and aesthetic problems in ...
Strana 5
... character. Here was one very simple explanation for Richard's malevolence” (1998: 74). If you observe audiences you will see that they too respond first to character and situation. Robert N. Watson reminds us that “if dramatic characters ...
... character. Here was one very simple explanation for Richard's malevolence” (1998: 74). If you observe audiences you will see that they too respond first to character and situation. Robert N. Watson reminds us that “if dramatic characters ...
Obsah
1 | |
12 | |
2 Marital Life Shakespeare and Romance | 50 |
3 Political Life Shakespeare and Government | 88 |
4 Public Life Shakespeare and Social Structures | 140 |
5 Real Life Shakespeare and Suffering | 180 |
Works Cited | 223 |
Index | 235 |
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
actor All’s Angelo anger Antipholus Antony and Cleopatra attitude audience Bassanio behavior Bertram brother Brutus Bullingbrook Cassius chapter characters Claudio comedy Coriolanus Coriolanus’s court critics Cymbeline daughter death Diomedes drama Duke early modern Elizabeth Elizabethan emotional England Falstaff father female friends grief Hamlet hath Helena Henry Hermia hero Hotspur human husband Iago identity images Isabella Julius Caesar Katherine Katherine’s King John King Lear language Lear’s Leggatt lover Malvolio marriage marry Merchant of Venice Midsummer Night’s Dream mother mourning murder night Noble Kinsmen Othello Pericles Petruccio play’s plot political Portia Prince Renaissance revenge rhetorical Richard Richard III role Roman Romeo and Juliet Rosalind RSC production says scene servant sexual Shakespeare Shakespeare’s plays Shrew soliloquy speech stage story tells theater theatrical thee thou Timon Titus Andronicus tragedy Troilus and Cressida twins wife Winter’s Tale woman women wooing word