Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 122
... Hamlet is , through the whole play , rather an instru- ment than an agent . After he has , by the stratagem of the play , convicted the King , he makes no attempt to punish him , and his death is at last effected by an incident which Hamlet ...
... Hamlet is , through the whole play , rather an instru- ment than an agent . After he has , by the stratagem of the play , convicted the King , he makes no attempt to punish him , and his death is at last effected by an incident which Hamlet ...
Strana 291
... HAMLET . There is no play that suffers so much in being transferred to the stage . Hamlet himself seems hardly capable of being acted . Mr. Kemble un- avoidably fails in this character from a want of ease and variety . The character of ...
... HAMLET . There is no play that suffers so much in being transferred to the stage . Hamlet himself seems hardly capable of being acted . Mr. Kemble un- avoidably fails in this character from a want of ease and variety . The character of ...
Strana 309
... Hamlet ; and as Ophelia had seen Hamlet , I should think her word ought to be taken against that of any modern authority . Ophelia . My lord , as I was reading in my closet , Prince Hamlet , with his doublet all unbrac'd , No hat upon ...
... Hamlet ; and as Ophelia had seen Hamlet , I should think her word ought to be taken against that of any modern authority . Ophelia . My lord , as I was reading in my closet , Prince Hamlet , with his doublet all unbrac'd , No hat upon ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers