Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 34
... King praying over him . There is so much Terror in one , so much Tender- ness and moving Piety in the other , as must touch any one who is capable either of Fear or Pity . In his Henry VIII . that Prince is drawn with that Greatness of ...
... King praying over him . There is so much Terror in one , so much Tender- ness and moving Piety in the other , as must touch any one who is capable either of Fear or Pity . In his Henry VIII . that Prince is drawn with that Greatness of ...
Strana 83
... kings love wine like other men , and that wine exerts its natural power upon kings . These are the petty cavils of petty minds ; a poet overlooks the casual distinction of country and condition , as a painter , satisfied with the figure ...
... kings love wine like other men , and that wine exerts its natural power upon kings . These are the petty cavils of petty minds ; a poet overlooks the casual distinction of country and condition , as a painter , satisfied with the figure ...
Strana 120
... king ... Vol . vi , pp . 158–60 . Hamlet Polonius is a man bred in courts , exercised in business , stored with observation , confident of his knowledge , Arthur Murphy had made King Lear the subject of his Gray's - Inn Journal for ...
... king ... Vol . vi , pp . 158–60 . Hamlet Polonius is a man bred in courts , exercised in business , stored with observation , confident of his knowledge , Arthur Murphy had made King Lear the subject of his Gray's - Inn Journal for ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers