Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 174
... admiration . He differs essentially from all other writers : Him we may profess rather to feel than to understand ; and it is safer to say , on many occasions , that we are possessed by him , than that we possess him . And no wonder ...
... admiration . He differs essentially from all other writers : Him we may profess rather to feel than to understand ; and it is safer to say , on many occasions , that we are possessed by him , than that we possess him . And no wonder ...
Strana 175
... admiration : Action produces one mode of excellence and inaction another : The Chronicle , the Novel , or the Ballad ... admirable in all . Or , is a character to be shewn in progressive change , and the events of years comprized within ...
... admiration : Action produces one mode of excellence and inaction another : The Chronicle , the Novel , or the Ballad ... admirable in all . Or , is a character to be shewn in progressive change , and the events of years comprized within ...
Strana 355
... admiration He lighted with his golden lamp on high The unknown regions of the human heart , Show'd its bright fountains , show'd its rueful wastes , Its shoals and headlands ; and a tower he rais'd Refulgent , where eternal breakers ...
... admiration He lighted with his golden lamp on high The unknown regions of the human heart , Show'd its bright fountains , show'd its rueful wastes , Its shoals and headlands ; and a tower he rais'd Refulgent , where eternal breakers ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers