Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 6
... cause : and such like ; which were ridiculous . But hee re- deemed his vices , with his vertues . There was ever more in him to be praysed , then to be pardoned . From Timber : or , Discoveries ; Made upon Men and Matter , published ...
... cause : and such like ; which were ridiculous . But hee re- deemed his vices , with his vertues . There was ever more in him to be praysed , then to be pardoned . From Timber : or , Discoveries ; Made upon Men and Matter , published ...
Strana 140
... cause of it , though at the same time he very un- guardedly drops an allusion to that cause , when he says , Here had we now our country's honour roof'd , Were the grac'd person of our Banquo present ; Whom may I rather challenge for ...
... cause of it , though at the same time he very un- guardedly drops an allusion to that cause , when he says , Here had we now our country's honour roof'd , Were the grac'd person of our Banquo present ; Whom may I rather challenge for ...
Strana 177
... cause , we call nature . A like feeling of propriety and truth , supposed without a cause , or as seeming to be derived from causes inadequate , fantastic , and absurd , - such as wands , circles , incantations , and so forth , —we call ...
... cause , we call nature . A like feeling of propriety and truth , supposed without a cause , or as seeming to be derived from causes inadequate , fantastic , and absurd , - such as wands , circles , incantations , and so forth , —we call ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers