Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 32
... consider him as a Man that liv'd in a State of almost universal License and Ignorance : There was no establish'd Judge , but every one took the liberty to Write according to the Dictates of his own Fancy . When one considers , that ...
... consider him as a Man that liv'd in a State of almost universal License and Ignorance : There was no establish'd Judge , but every one took the liberty to Write according to the Dictates of his own Fancy . When one considers , that ...
Strana 163
A Selection David Nichol Smith. It will scarcely be possible to consider the Courage of Falstaff as wholly detached from his other qualities : But I write not professedly of any part of his character , but what is included under the term ...
A Selection David Nichol Smith. It will scarcely be possible to consider the Courage of Falstaff as wholly detached from his other qualities : But I write not professedly of any part of his character , but what is included under the term ...
Strana 172
... consider as a sort of wild Proteus or madman , and accordingly knocks him down with the butt - end of his critical staff , as often as he exceeds that line of sober discretion , which this learned Editor appears to have chalked out for ...
... consider as a sort of wild Proteus or madman , and accordingly knocks him down with the butt - end of his critical staff , as often as he exceeds that line of sober discretion , which this learned Editor appears to have chalked out for ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers