Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 41
... expressed by Addison in this passage had been frequently expressed by Dryden . For example , in the ' Dedi- cation of the Æneis , ' 1697 , he said ' better a Mechanick Rule were stretch'd or broken , than a great Beauty were omitted ...
... expressed by Addison in this passage had been frequently expressed by Dryden . For example , in the ' Dedi- cation of the Æneis , ' 1697 , he said ' better a Mechanick Rule were stretch'd or broken , than a great Beauty were omitted ...
Strana 327
... expressed in miraculous numbers , and traced in their operation on I If the advocates for the grand style object to this expression , we shall not stop to defend it : But , to us , it seems equally beauti- ful , as it is obvious and ...
... expressed in miraculous numbers , and traced in their operation on I If the advocates for the grand style object to this expression , we shall not stop to defend it : But , to us , it seems equally beauti- ful , as it is obvious and ...
Strana 334
... expressed ; and on its own account , as well as to make it a more proportionable antagonist to the unoffending nature of their victim , ' the gracious Duncan , ' and ade- quately to expound ' the deep damnation of his taking off ...
... expressed ; and on its own account , as well as to make it a more proportionable antagonist to the unoffending nature of their victim , ' the gracious Duncan , ' and ade- quately to expound ' the deep damnation of his taking off ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers