Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 39
... Genius's , that is infinitely more beautiful than all the Turn and Polishing of what the French call a Bel Esprit , by which they would express a Genius refined by Conversation , Reflection , and the Reading of the most polite Authors ...
... Genius's , that is infinitely more beautiful than all the Turn and Polishing of what the French call a Bel Esprit , by which they would express a Genius refined by Conversation , Reflection , and the Reading of the most polite Authors ...
Strana 40
... Genius . There is something so wild and yet so solemn in the Speeches of his Ghosts , Fairies , Witches and the like ... Genius who is ignorant of the Rules of Art , than in those of a little Genius who knows and observes them . It is of ...
... Genius . There is something so wild and yet so solemn in the Speeches of his Ghosts , Fairies , Witches and the like ... Genius who is ignorant of the Rules of Art , than in those of a little Genius who knows and observes them . It is of ...
Strana 72
... genius of Shakespear . His plays are defective in the mechanical part , which is less the work of genius than of experience ; and is not otherwise brought to perfection but by diligently observing the errors of former compositions ...
... genius of Shakespear . His plays are defective in the mechanical part , which is less the work of genius than of experience ; and is not otherwise brought to perfection but by diligently observing the errors of former compositions ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers