Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana xviii
... given to ' a foreign writer [ i.e. A. W. Schlegel ] whose lectures were not given orally till two years after mine ' . He believed that there was not ' one single principle in Schlegel's work ( which is not an admitted drawback from its ...
... given to ' a foreign writer [ i.e. A. W. Schlegel ] whose lectures were not given orally till two years after mine ' . He believed that there was not ' one single principle in Schlegel's work ( which is not an admitted drawback from its ...
Strana 147
... given to different persons . To the Duke of Norfolk he trusts the mounting of the guard during the night , and bids him be ready himself early in the morning . He directs Catesby to send out a pursuivant at arms To Stanley's regiment ...
... given to different persons . To the Duke of Norfolk he trusts the mounting of the guard during the night , and bids him be ready himself early in the morning . He directs Catesby to send out a pursuivant at arms To Stanley's regiment ...
Strana 182
... given him also every infirmity of body that is not likely to awaken our compassion , and which is most proper to render both his better qualities and his vices ridiculous : He has associated levity and debauch with age , corpulence and ...
... given him also every infirmity of body that is not likely to awaken our compassion , and which is most proper to render both his better qualities and his vices ridiculous : He has associated levity and debauch with age , corpulence and ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers