Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 39
... kind of Tincture from them , and falls unavoidably into Imitation . Many of these great natural Genius's that were never disciplined and broken by Rules of Art , are to be found among the Ancients , and in particular among those of the ...
... kind of Tincture from them , and falls unavoidably into Imitation . Many of these great natural Genius's that were never disciplined and broken by Rules of Art , are to be found among the Ancients , and in particular among those of the ...
Strana 65
... kind of perpetual commentary . The mind is never so sensibly disposed to pity the misfortunes of others , as when it is itself subdued and softened by calamity . Adversity diffuses a kind of sacred calm over the breast , that is the ...
... kind of perpetual commentary . The mind is never so sensibly disposed to pity the misfortunes of others , as when it is itself subdued and softened by calamity . Adversity diffuses a kind of sacred calm over the breast , that is the ...
Strana 366
... kind of National Epic . Marlborough , you recollect , said , he knew no English History but what he had learned from Shakspeare . There are really , if we look to it , few as memorable Histories . The great salient points are admirably ...
... kind of National Epic . Marlborough , you recollect , said , he knew no English History but what he had learned from Shakspeare . There are really , if we look to it , few as memorable Histories . The great salient points are admirably ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers