Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 164
... living continually in society , nay even in Taverns , and indulging himself , and being indulged by others , in every debauchery ; drinking , whoring , gluttony , and ease ; assuming a liberty of fiction , necessary perhaps to his wit ...
... living continually in society , nay even in Taverns , and indulging himself , and being indulged by others , in every debauchery ; drinking , whoring , gluttony , and ease ; assuming a liberty of fiction , necessary perhaps to his wit ...
Strana 218
... living , dead man's ' drama- tic works ? ' Inopem me copia fecit . ' How true it is to nature , he has himself finely expressed in the instance of love in Sonnet 98 . From you have I been absent in the spring , When proud pied April ...
... living , dead man's ' drama- tic works ? ' Inopem me copia fecit . ' How true it is to nature , he has himself finely expressed in the instance of love in Sonnet 98 . From you have I been absent in the spring , When proud pied April ...
Strana 310
... living persons , not fictions of the mind . The poet may be said , for the time , to identify himself with the character he wishes to repre- sent , and to pass from one to another , like the same soul successively animating different ...
... living persons , not fictions of the mind . The poet may be said , for the time , to identify himself with the character he wishes to repre- sent , and to pass from one to another , like the same soul successively animating different ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers