Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 79
... once derive from personal allusions , local customs , or temporary opinions , have for many years been lost ; and every topick of mer- riment or motive of sorrow , which the modes of artificial life afforded him , now only obscure the ...
... once derive from personal allusions , local customs , or temporary opinions , have for many years been lost ; and every topick of mer- riment or motive of sorrow , which the modes of artificial life afforded him , now only obscure the ...
Strana 227
... once to escape his reader's in- dignation by general swoln panegyrics , and merely by his ipse dixit to treat , as contemptible , what he has not intellect enough to comprehend , or soul to feel , without assigning any reason , or ...
... once to escape his reader's in- dignation by general swoln panegyrics , and merely by his ipse dixit to treat , as contemptible , what he has not intellect enough to comprehend , or soul to feel , without assigning any reason , or ...
Strana 258
... once com- mence the action so as to excite a curiosity for the ex- planation in the following scenes , as in the storm of wind and waves , and the boatswain in the Tempest , in- stead of anticipating our curiosity , as in most other ...
... once com- mence the action so as to excite a curiosity for the ex- planation in the following scenes , as in the storm of wind and waves , and the boatswain in the Tempest , in- stead of anticipating our curiosity , as in most other ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers