Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 69
... passage , and which render an allegation of each particular sentiment absolutely necessary . The Adventurer , No. 116 ... passages that are too turgid and full of strained meta- phors ; are faults which the warmest admirers of Shake ...
... passage , and which render an allegation of each particular sentiment absolutely necessary . The Adventurer , No. 116 ... passages that are too turgid and full of strained meta- phors ; are faults which the warmest admirers of Shake ...
Strana 110
... passages which appeared to me likely to obstruct the greater number of readers , and thought it my duty to facilitate their passage . It is impossible for an expositor not to write too little for some , and too much for others . He can ...
... passages which appeared to me likely to obstruct the greater number of readers , and thought it my duty to facilitate their passage . It is impossible for an expositor not to write too little for some , and too much for others . He can ...
Strana 324
... passages are those which please all classes of readers , and are admired for the same qualities by judges from every school of criticism . Even with regard to those passages , however , a skilful commentator will find something worth ...
... passages are those which please all classes of readers , and are admired for the same qualities by judges from every school of criticism . Even with regard to those passages , however , a skilful commentator will find something worth ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers