Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 14
... Persons , of what Quality , Profession , Degree , Breeding , or Birth soever ; nor did he want Wit to Express the ... Persons , as one would think he had been Transformed into every one of those Persons he hath Described ; and as ...
... Persons , of what Quality , Profession , Degree , Breeding , or Birth soever ; nor did he want Wit to Express the ... Persons , as one would think he had been Transformed into every one of those Persons he hath Described ; and as ...
Strana 163
... persons of the Drama : After which we will examine , in course , such evidence , either of persons or facts , as are relative to the matter ; and account as we may for those appearances , which seem to have led to the opinion of his ...
... persons of the Drama : After which we will examine , in course , such evidence , either of persons or facts , as are relative to the matter ; and account as we may for those appearances , which seem to have led to the opinion of his ...
Strana 308
... person represented . So ( as it has been ingeniously remarked ) when Prospero describes himself as left alone in the boat ... persons con- cerned must have been present in the poet's imagination , as at a kind of rehearsal ; and whatever ...
... person represented . So ( as it has been ingeniously remarked ) when Prospero describes himself as left alone in the boat ... persons con- cerned must have been present in the poet's imagination , as at a kind of rehearsal ; and whatever ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers