Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 40
... Poet's Fancy , because he has no Pattern to follow in it , and must work altogether out of his own Invention . There is a very odd turn of Thought required for this sort of Writing , and it is impossible for a Poet to succeed in it ...
... Poet's Fancy , because he has no Pattern to follow in it , and must work altogether out of his own Invention . There is a very odd turn of Thought required for this sort of Writing , and it is impossible for a Poet to succeed in it ...
Strana 216
... poet's ever active mind has deduced from , or connected with , the imagery and the incidents . The reader is forced into too much action to sympathize with the merely passive of our nature . As little can a mind thus roused and awakened ...
... poet's ever active mind has deduced from , or connected with , the imagery and the incidents . The reader is forced into too much action to sympathize with the merely passive of our nature . As little can a mind thus roused and awakened ...
Strana 225
... poetic feeling itself . It is , perhaps , chiefly in the power of producing and reproducing the latter that the poet stands distinct . The subject of the Venus and Adonis is unpleasing ; but the poem itself is for that the very reason ...
... poetic feeling itself . It is , perhaps , chiefly in the power of producing and reproducing the latter that the poet stands distinct . The subject of the Venus and Adonis is unpleasing ; but the poem itself is for that the very reason ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers