Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 122
... producing . The catastrophe is not very happily produced ; the exchange of weapons is rather an expedient of necessity , than a stroke of art . A scheme might easily have been formed , to kill Hamlet with the dagger , and Laertes with ...
... producing . The catastrophe is not very happily produced ; the exchange of weapons is rather an expedient of necessity , than a stroke of art . A scheme might easily have been formed , to kill Hamlet with the dagger , and Laertes with ...
Strana 259
... producing any impression at all - gives a philosophic pertinency to this last image ; but it has likewise its dramatic use and purpose . For its commonness in ordinary conversation tends to produce the sense of reality , and at once ...
... producing any impression at all - gives a philosophic pertinency to this last image ; but it has likewise its dramatic use and purpose . For its commonness in ordinary conversation tends to produce the sense of reality , and at once ...
Strana 332
... produce any effect , direct or reflected . In fact , my understanding said positively that it could not produce any effect . But I knew better ; I felt that it did ; and I waited and clung to the problem until further knowledge should ...
... produce any effect , direct or reflected . In fact , my understanding said positively that it could not produce any effect . But I knew better ; I felt that it did ; and I waited and clung to the problem until further knowledge should ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers