Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 193
... reason that they should be so . There is so much in them , which comes not under the province of act- ing , with which eye , and tone , and gesture , have nothing to do . The glory of the scenic art is to personate passion , and the ...
... reason that they should be so . There is so much in them , which comes not under the province of act- ing , with which eye , and tone , and gesture , have nothing to do . The glory of the scenic art is to personate passion , and the ...
Strana 332
... reason is - that he allows his understanding to overrule his eyes . His understanding , which includes no intuitive knowledge of the laws of vision , can furnish him with no reason why a line which is known and can be proved to be a ...
... reason is - that he allows his understanding to overrule his eyes . His understanding , which includes no intuitive knowledge of the laws of vision , can furnish him with no reason why a line which is known and can be proved to be a ...
Strana 344
... reason why marked or complex variety of character was slighted by the great principles of the Greek tragedy . And every scholar who has studied that grand drama of Greece with feeling , —that drama , so magnificent , so regal , so ...
... reason why marked or complex variety of character was slighted by the great principles of the Greek tragedy . And every scholar who has studied that grand drama of Greece with feeling , —that drama , so magnificent , so regal , so ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers