Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 95
... represented , the real and poetical duration is the same . If , in the first act , preparations for war against Mithridates are represented to be made in Rome , the event of the war may , without absurdity , be represented , in the ...
... represented , the real and poetical duration is the same . If , in the first act , preparations for war against Mithridates are represented to be made in Rome , the event of the war may , without absurdity , be represented , in the ...
Strana 126
... represented by him , agree in nothing but their fortunes . The periods of history , from which the subjects are taken , are such as at the best can be depended on only for some principal facts ; but not for the minute detail , by which ...
... represented by him , agree in nothing but their fortunes . The periods of history , from which the subjects are taken , are such as at the best can be depended on only for some principal facts ; but not for the minute detail , by which ...
Strana 216
... represented the animal impulse itself , so as to preclude all sympathy with it , by dissipating the reader's notice among the thousand outward images , and now beautiful , now fanciful circumstances , which form its dresses and its ...
... represented the animal impulse itself , so as to preclude all sympathy with it , by dissipating the reader's notice among the thousand outward images , and now beautiful , now fanciful circumstances , which form its dresses and its ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers