Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 18
... respect to Shakespear , it shall not be taken from any thing of his : ' tis an exclamation against Fortune , quoted in his Hamlet , but written by some other Poet . Out , out , thou strumpet fortune ; all you Gods , In general Synod ...
... respect to Shakespear , it shall not be taken from any thing of his : ' tis an exclamation against Fortune , quoted in his Hamlet , but written by some other Poet . Out , out , thou strumpet fortune ; all you Gods , In general Synod ...
Strana 155
... respect ; or , joining himself to my opin- ion , redeem me from , what I may call , the reproach of singularity . I am to avow then , that I do not clearly discern that Sir John Falstaff deserves to bear the character so gener- ally ...
... respect ; or , joining himself to my opin- ion , redeem me from , what I may call , the reproach of singularity . I am to avow then , that I do not clearly discern that Sir John Falstaff deserves to bear the character so gener- ally ...
Strana 161
... respect him for the possession of that quality : And yet I believe the reader will find that he has by no means decided this question , even for himself . — If then it should turn out , that this difficulty has arisen out of the Art of ...
... respect him for the possession of that quality : And yet I believe the reader will find that he has by no means decided this question , even for himself . — If then it should turn out , that this difficulty has arisen out of the Art of ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers