Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 256
... scene ends with the first symptoms of positive derangement ; and the intervention of the fifth scene is particularly judicious , —the interruption allow- ing an interval for Lear to appear in full madness in the sixth scene . Hamlet ...
... scene ends with the first symptoms of positive derangement ; and the intervention of the fifth scene is particularly judicious , —the interruption allow- ing an interval for Lear to appear in full madness in the sixth scene . Hamlet ...
Strana 289
... scene - the gusts of passion come and go like sounds of music borne on the wind . The whole play is an exact transcript of what might be supposed to have taken place at the court of Denmark , at the remote period of time fixed upon ...
... scene - the gusts of passion come and go like sounds of music borne on the wind . The whole play is an exact transcript of what might be supposed to have taken place at the court of Denmark , at the remote period of time fixed upon ...
Strana 308
... scene , or throws us back whole years in the history of the person represented . So ( as it has been ingeniously remarked ) when Prospero describes himself as left alone in the boat with his daughter , the epithet which he applies to ...
... scene , or throws us back whole years in the history of the person represented . So ( as it has been ingeniously remarked ) when Prospero describes himself as left alone in the boat with his daughter , the epithet which he applies to ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers