Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 117
... sense and vice ; of sense which may be admired but not esteemed , of vice which may be despised , but hardly detested . Falstaff is a character loaded with faults , and with those faults which naturally produce contempt . He is a thief ...
... sense and vice ; of sense which may be admired but not esteemed , of vice which may be despised , but hardly detested . Falstaff is a character loaded with faults , and with those faults which naturally produce contempt . He is a thief ...
Strana 243
... sense , and in him , as in some brute animals , this advance to the intellectual faculties , without the moral sense , is marked by the appearance THE TEMPEST 243.
... sense , and in him , as in some brute animals , this advance to the intellectual faculties , without the moral sense , is marked by the appearance THE TEMPEST 243.
Strana 244
... sense , as it proceeds , is displayed the impression made by Ferdinand and Miranda on each other ; it is love at first sight ; - - at the first sight They have chang'd eyes : - and it appears to me , that in all cases of real love , it ...
... sense , as it proceeds , is displayed the impression made by Ferdinand and Miranda on each other ; it is love at first sight ; - - at the first sight They have chang'd eyes : - and it appears to me , that in all cases of real love , it ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers