Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 71
... sentiments that proceed from various tones of passion , or in expressing properly every different sentiment : he disgusts not his reader with general declamation and unmeaning words , too com- mon in other writers : his sentiments are ...
... sentiments that proceed from various tones of passion , or in expressing properly every different sentiment : he disgusts not his reader with general declamation and unmeaning words , too com- mon in other writers : his sentiments are ...
Strana 101
... sentiments or human actions ; we place it with the fairest and the noblest progeny which judg- ment propagates by conjunction with learning , but Othello is the vigorous and vivacious offspring of obser- vation impregnated by genius ...
... sentiments or human actions ; we place it with the fairest and the noblest progeny which judg- ment propagates by conjunction with learning , but Othello is the vigorous and vivacious offspring of obser- vation impregnated by genius ...
Strana 107
... sentiments and descrip- tions immediately from knowledge ; the resemblance is therefore just , their descriptions are verified by every eye , and their sentiments acknowledged by every breast . Those whom their fame invites to the same ...
... sentiments and descrip- tions immediately from knowledge ; the resemblance is therefore just , their descriptions are verified by every eye , and their sentiments acknowledged by every breast . Those whom their fame invites to the same ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers