Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 175
... thing ; every thing is complicated , every thing is plain . I restrain the further expressions of my admira- tion lest they should not seem applicable to man ; but it is really astonishing that a mere human being , a part of humanity ...
... thing ; every thing is complicated , every thing is plain . I restrain the further expressions of my admira- tion lest they should not seem applicable to man ; but it is really astonishing that a mere human being , a part of humanity ...
Strana 198
... thing or other they see , they see an actor personating a passion , of grief , or anger , for instance , and they recognize it as a copy of the usual external effects of such passions ; or at least as being true to that symbol of the ...
... thing or other they see , they see an actor personating a passion , of grief , or anger , for instance , and they recognize it as a copy of the usual external effects of such passions ; or at least as being true to that symbol of the ...
Strana 360
... things , especi- ally of men , that Shakspeare is great . All the greatness of the man comes out decisively here . It is unexampled , I think , that calm creative perspicacity of Shakspeare . The thing he looks at reveals not this or ...
... things , especi- ally of men , that Shakspeare is great . All the greatness of the man comes out decisively here . It is unexampled , I think , that calm creative perspicacity of Shakspeare . The thing he looks at reveals not this or ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers