Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana ix
... Tragedy ( 1693 ) repeated with emphasis the views which he had expressed in The Tragedies of the last Age Consider'd and Examin'd by the Practice of the Ancients , and by the Common sense of all Ages ( 1678 ) . He held that the English ...
... Tragedy ( 1693 ) repeated with emphasis the views which he had expressed in The Tragedies of the last Age Consider'd and Examin'd by the Practice of the Ancients , and by the Common sense of all Ages ( 1678 ) . He held that the English ...
Strana 85
... tragedies to - day and comedies to - morrow . Tragedy was not in those times a poem of more general dignity or elevation than comedy ; it required only a calamitous conclusion , with which the common criticism of that age was satisfied ...
... tragedies to - day and comedies to - morrow . Tragedy was not in those times a poem of more general dignity or elevation than comedy ; it required only a calamitous conclusion , with which the common criticism of that age was satisfied ...
Strana 259
... tragedy ; -but , above all , into a tragedy , the interest of which is as eminently ad et apud intra , as that of Macbeth is directly ad extra . In all the best attested stories of ghosts and visions , as in that of Brutus , of ...
... tragedy ; -but , above all , into a tragedy , the interest of which is as eminently ad et apud intra , as that of Macbeth is directly ad extra . In all the best attested stories of ghosts and visions , as in that of Brutus , of ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers