Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - Počet stran: 371 Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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Strana 171
... whole ; every part being in fact relative , and inferring all the rest . It is true that the point of action or sentiment , which we are most concerned in , is always held out for our special notice . But who does not perceive that ...
... whole ; every part being in fact relative , and inferring all the rest . It is true that the point of action or sentiment , which we are most concerned in , is always held out for our special notice . But who does not perceive that ...
Strana 233
... whole , filled the mind with the calm and elevated impression of perfect beauty and symmetrical proportion . The moderns also pro- duced a whole , a more striking whole ; but it was by blending materials and fusing the parts together ...
... whole , filled the mind with the calm and elevated impression of perfect beauty and symmetrical proportion . The moderns also pro- duced a whole , a more striking whole ; but it was by blending materials and fusing the parts together ...
Strana 340
... whole and in the whole , and where the whole is for each and in each . They only are real in- carnations . The Greek poets could not exhibit any approxima- tions to female character , without violating the truth of Grecian life , and ...
... whole and in the whole , and where the whole is for each and in each . They only are real in- carnations . The Greek poets could not exhibit any approxima- tions to female character , without violating the truth of Grecian life , and ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers