Shakespeare and the Modern Stage: With Other EssaysAMS Press, 1974 - Počet stran: 251 |
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Strana 112
... interest . There is no novelty in these principles . The majority of them were accepted unhesitatingly in the past by Betterton , Garrick , Edmund Kean , the Kembles , and notably by Phelps . They are recog- nised principles to - day in ...
... interest . There is no novelty in these principles . The majority of them were accepted unhesitatingly in the past by Betterton , Garrick , Edmund Kean , the Kembles , and notably by Phelps . They are recog- nised principles to - day in ...
Strana 200
... interest in Paris than the assumption by a great actor or actress of a Shake- spearean rôle for the first time ; and French dramatic critics have been known to generate such heat in debates over the right conception of a Shakespearean ...
... interest in Paris than the assumption by a great actor or actress of a Shake- spearean rôle for the first time ; and French dramatic critics have been known to generate such heat in debates over the right conception of a Shakespearean ...
Strana 224
... interest- such as they are empowered by Act of Parliament to acquire when these memorials chance to come into the market . But a number of small annual subscriptions from men of letters has lately facilitated the performance of this ...
... interest- such as they are empowered by Act of Parliament to acquire when these memorials chance to come into the market . But a number of small annual subscriptions from men of letters has lately facilitated the performance of this ...
Obsah
II | 4 |
SHAKESPEARE AND THE ELIZABETHAN PLAYGOER | 25 |
The Contrast between the Elizabethan and the Mod | 43 |
Autorská práva | |
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acting actor actor-manager actor-manager system admiration artistic audience Bacon Beeston Ben Jonson Benson's Betterton biography Cæsar character Charles classical comedy commemorative contemporary critical Cymbeline D'Avenant D'Avenant's dramatic art dramatist Drury Lane Ducis Dumas efforts Elizabethan Elizabethan playgoer endeavour England English experience France French genius gossip Hamlet Henry histrionic honour human imagination John Jonson Julius Cæsar King less lips literary drama literature lived London London County Council Love's Labour's Lost Lowin manager ment methods modern monument moral municipal theatre natural never Nicholas Rowe oral tradition Othello patriotic instinct Pepys Pepys's performance Phelps Phelps's philosophy piece playhouse poet poet's poetic poetry present produced realise rendered reputation Richard II rôles scenery scenic sentiment seventeenth century Shake Shakespeare's career Shakespeare's plays Shakespearean drama Shoreditch speare speare's spearean spectacular speech stage Stratford Stratford-on-Avon theatrical enterprise thou tion tragedy William William Beeston writing wrote