Bernard Shaw and the Art of Drama

abstractions action aesthetic artistic assertion Barbara become Bernard Shaw Caesar Candida character Christian clearly Cleopatra comedy comic complex consciousness context critics death dialectic distinction dramatic dream effect élan vital elements Eliza emotional expression fact faith feeling finally finds Force further genius George gives hand Heartbreak House heaven Higgins historical human humor ideal illusion imagination important individual instincts involves ironic irony Joan Joan's Juan less living Major Marchbanks matter means mind moral Morell myth nature observation offers patterns philosophy play poetic preface present provides qualities Quoted reality reference reflects regarding religion religious remarks renders represents reveals rhetoric role romantic Saint scene seeks seems sense sensitive Sergius Shavian Shaw's social society soul spiritual suggests Superman symbolic takes Tanner tion tragedy transcends true truth turn Undershaft vision vital Vivie woman York