The Imagery of Keats and Shelley: A Comparative StudyUniversity of North Carolina Press, 1949 - Počet stran: 296 |
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Strana 114
... feeling at the beginning of Hyperion , Bk . III , as Keats invokes the delights of earth to welcome Apollo to his ... feeling and suddenness of effect which characterizes modern synaesthesia in an image which attributes color to organic ...
... feeling at the beginning of Hyperion , Bk . III , as Keats invokes the delights of earth to welcome Apollo to his ... feeling and suddenness of effect which characterizes modern synaesthesia in an image which attributes color to organic ...
Strana 179
... feeling for them . 58 He un- questionably identifies himself wholly with his object in The Cloud , an amazing feat of imaginative penetration . He unites himself with it in dizzying images of speed and height . But this is a purely ...
... feeling for them . 58 He un- questionably identifies himself wholly with his object in The Cloud , an amazing feat of imaginative penetration . He unites himself with it in dizzying images of speed and height . But this is a purely ...
Strana 210
... feeling that these are inseparable , although not identical , and they express acceptance of this in- separability of the elements of human experience . In the Ode to a Nightingale Keats portrays a state of intense aesthetic and ...
... feeling that these are inseparable , although not identical , and they express acceptance of this in- separability of the elements of human experience . In the Ode to a Nightingale Keats portrays a state of intense aesthetic and ...
Obsah
Poetic Imagery | 3 |
Imagery of Sensation | 26 |
Synaesthetic Imagery ΙΟΙ | 101 |
Autorská práva | |
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abstract actuality aesthetic Agnes Alastor Beauty Brooks characteristic clouds cold color complex concept concrete Criticism earth effect elements Eliot emotion empathy Endymion Essays Eve of St example experience expression feeling figures flowers fused fusion Grecian Urn Heaven Hulme human Hyperion I. A. Richards Ibid imagination intense John Crowe Ransom John Keats Keats's poetry kinesthetic Lamia light lines Literary London meaning metaphor metaphysical mind motion motor nature Nightingale object Ode on Indolence Ode on Melancholy Ode to Psyche odor organic passage perceptions Percy Bysshe Shelley physical poem poet poetic imagery Prometheus Unbound prose Queen Mab Ransom reader relationship Romantic Romantic poetry Romanticism scene sensation sense sensory sensuous shapes Shelley Shelley's poetry soft soul sound spirit stanza Stood Tiptoe suggestion sweet symbols synaesthesia synaesthetic synaesthetic imagery Tate theory things thou thought tion unity University Press veil verse visual words York