The Imagery of Keats and Shelley: A Comparative StudyUniversity of North Carolina Press, 1949 - Počet stran: 296 |
Vyhledávání v knize
Výsledky 1-3 z 45
Strana 6
... hand over sensations bodily , " then poetry has no real raison d'être , since it does badly what we can all do well . Why should we concern ourselves with second - hand representations of an intuition of things which we command at first ...
... hand over sensations bodily , " then poetry has no real raison d'être , since it does badly what we can all do well . Why should we concern ourselves with second - hand representations of an intuition of things which we command at first ...
Strana 46
... hand . Shelley looks up at an object concealed from him by a thin veil of airy space again the dualist image on ... hand in order to harmonize them with his backgrounds . " The scope of Keats is far more limited ; he concerns himself ...
... hand . Shelley looks up at an object concealed from him by a thin veil of airy space again the dualist image on ... hand in order to harmonize them with his backgrounds . " The scope of Keats is far more limited ; he concerns himself ...
Strana 161
... hand of Saturn . Upon the sodden ground His old right hand lay nerveless , listless , dead , Unsceptred ... ( I , 17-19 ) This is empathic by paradox . Organic , kinesthetic , and motor feelings are conjured up by Keats's insistence ...
... hand of Saturn . Upon the sodden ground His old right hand lay nerveless , listless , dead , Unsceptred ... ( I , 17-19 ) This is empathic by paradox . Organic , kinesthetic , and motor feelings are conjured up by Keats's insistence ...
Obsah
Poetic Imagery | 3 |
Imagery of Sensation | 26 |
Synaesthetic Imagery ΙΟΙ | 101 |
Autorská práva | |
Další části 1 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
abstract actuality aesthetic Agnes Alastor Beauty Brooks characteristic clouds cold color complex concept concrete Criticism earth effect elements Eliot emotion empathy Endymion Essays Eve of St example experience expression feeling figures flowers fused fusion Grecian Urn Heaven Hulme human Hyperion I. A. Richards Ibid imagination intense John Crowe Ransom John Keats Keats's poetry kinesthetic Lamia light lines Literary London meaning metaphor metaphysical mind motion motor nature Nightingale object Ode on Indolence Ode on Melancholy Ode to Psyche odor organic passage perceptions Percy Bysshe Shelley physical poem poet poetic imagery Prometheus Unbound prose Queen Mab Ransom reader relationship Romantic Romantic poetry Romanticism scene sensation sense sensory sensuous shapes Shelley Shelley's poetry soft soul sound spirit stanza Stood Tiptoe suggestion sweet symbols synaesthesia synaesthetic synaesthetic imagery Tate theory things thou thought tion unity University Press veil verse visual words York