Nicholas Rowe and the Beginnings of Feminism on the London StageAcademica Press, 2005 - Počet stran: 217 Nicholas Rowe flourished during the first quarter of the 18thc: he was poet laureate to George I, the author of eight plays(three of which were great successes) and he was the esteemed translator of Lucan's PHARSALIA as well as the first modern editor of Shakespeare's plays. But most of all he was known as a playwright. Rowe's 'She-tragedies" gave great prominence to women characters and further developed the Whig virtues of the ruling political elite: individual freedom and a belief in a strong parliament which would bring the cause of the people before a constitutionally limited, reasonable monarchy. Professor Sennett's new monograph discusses Rowe's vision of women caught up by tragic, unreasonable threat or menace. He also explores the literary and the political stakes in late Stuart and early Hanoverian theatre.. New material on Rowe's life and his attempt to include ideas that can be described as incipient feminism are brought forward. While not a general biography, Sennett's new work is a contribution to the scholarship that has called for a new examination of Rowe and the Whig London of the early 18th century. |
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Strana 38
... actually died . He bequeathed to his eighteen - year - old son an annual stipend of £ 300 along with his chambers at the Middle Temple . To some extent , Nicholas Rowe may have felt that his father's bequest had freed him to pursue his ...
... actually died . He bequeathed to his eighteen - year - old son an annual stipend of £ 300 along with his chambers at the Middle Temple . To some extent , Nicholas Rowe may have felt that his father's bequest had freed him to pursue his ...
Strana 77
... actually valued the most and the one which brought the most applause . Theatre management of that day was no different from today in that companies produced plays that they believed the people would buy tickets to see . Theatres in the ...
... actually valued the most and the one which brought the most applause . Theatre management of that day was no different from today in that companies produced plays that they believed the people would buy tickets to see . Theatres in the ...
Strana 160
... actually played . As Guilford's father , Northumberland was the driving character in the historical account . He was driven by his greed and ambition for power as evidenced by his miraculous conversion to Catholicism when word reached ...
... actually played . As Guilford's father , Northumberland was the driving character in the historical account . He was driven by his greed and ambition for power as evidenced by his miraculous conversion to Catholicism when word reached ...
Obsah
CHAPTER ONE BACKGROUND ON THE STUDY OF NICHOLAS | 11 |
CHAPTER TWO THE BEGINNINGS OF ROWES CAREER | 25 |
CHAPTER THREE CHALLENGES FOR ACTRESSES | 47 |
Autorská práva | |
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