Nicholas Rowe and the Beginnings of Feminism on the London StageAcademica Press, 2005 - Počet stran: 217 Nicholas Rowe flourished during the first quarter of the 18thc: he was poet laureate to George I, the author of eight plays(three of which were great successes) and he was the esteemed translator of Lucan's PHARSALIA as well as the first modern editor of Shakespeare's plays. But most of all he was known as a playwright. Rowe's 'She-tragedies" gave great prominence to women characters and further developed the Whig virtues of the ruling political elite: individual freedom and a belief in a strong parliament which would bring the cause of the people before a constitutionally limited, reasonable monarchy. Professor Sennett's new monograph discusses Rowe's vision of women caught up by tragic, unreasonable threat or menace. He also explores the literary and the political stakes in late Stuart and early Hanoverian theatre.. New material on Rowe's life and his attempt to include ideas that can be described as incipient feminism are brought forward. While not a general biography, Sennett's new work is a contribution to the scholarship that has called for a new examination of Rowe and the Whig London of the early 18th century. |
Vyhledávání v knize
Výsledky 1-3 z 11
Strana 6
... opening up ways for her to bring her identity and her subjectivity into being ( 1-2 ) . Feminism is the study and the activity of discovering what it means to be a woman based on the needs of the women of any given society rather than ...
... opening up ways for her to bring her identity and her subjectivity into being ( 1-2 ) . Feminism is the study and the activity of discovering what it means to be a woman based on the needs of the women of any given society rather than ...
Strana 127
... opening February 2 until March 4 , an unprecedented run for that period and second only to Addison's Cato in length of continuous performances . The play was revived for four more special command performances during the remainder of the ...
... opening February 2 until March 4 , an unprecedented run for that period and second only to Addison's Cato in length of continuous performances . The play was revived for four more special command performances during the remainder of the ...
Strana 133
... opening proves this . Rowe showed a keen sense of public relations in building interest for the opening of his play . Jane Shore was a familiar figure to the English , having been institutionalized in songs , poetry , stories and ...
... opening proves this . Rowe showed a keen sense of public relations in building interest for the opening of his play . Jane Shore was a familiar figure to the English , having been institutionalized in songs , poetry , stories and ...
Obsah
CHAPTER ONE BACKGROUND ON THE STUDY OF NICHOLAS | 11 |
CHAPTER TWO THE BEGINNINGS OF ROWES CAREER | 25 |
CHAPTER THREE CHALLENGES FOR ACTRESSES | 47 |
Autorská práva | |
Další části 13 nejsou zobrazeny.
Běžně se vyskytující výrazy a sousloví
accepted According action actresses actually Anne appeared argued attempt audience Barry became become beginning believed Calista called Centlivre characters Church continued critics death developed discussion dramatic early edition eighteenth century England English explain face fact Fair Penitent female female characters feminist Gildon give hand held hero historical husband ideas important included influence interesting issue Jane Grey Jane Shore John king Lady later letter literary live London major male marriage Mary nature never Nicholas Rowe offered performance Perhaps playwrights poem poet poetry political Pope popular presented Printed problems production published Queen records reference Restoration Richard roles Rowe's plays seemed society stage stand statement story strength strong success Tamerlane theatre thinking throne tragedy tragic turn understanding Whigs wife woman women writing written wrote young