Nicholas Rowe and the Beginnings of Feminism on the London StageAcademica Press, 2005 - Počet stran: 217 Nicholas Rowe flourished during the first quarter of the 18thc: he was poet laureate to George I, the author of eight plays(three of which were great successes) and he was the esteemed translator of Lucan's PHARSALIA as well as the first modern editor of Shakespeare's plays. But most of all he was known as a playwright. Rowe's 'She-tragedies" gave great prominence to women characters and further developed the Whig virtues of the ruling political elite: individual freedom and a belief in a strong parliament which would bring the cause of the people before a constitutionally limited, reasonable monarchy. Professor Sennett's new monograph discusses Rowe's vision of women caught up by tragic, unreasonable threat or menace. He also explores the literary and the political stakes in late Stuart and early Hanoverian theatre.. New material on Rowe's life and his attempt to include ideas that can be described as incipient feminism are brought forward. While not a general biography, Sennett's new work is a contribution to the scholarship that has called for a new examination of Rowe and the Whig London of the early 18th century. |
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Strana 22
... seemed to be in open conflict , and when the dividing line between public and private life seemed temporarily to have been blurred or even erased . ( 87 ) DeRitter's argument has merit because he points to an obvious 22 Nicholas Rowe ...
... seemed to be in open conflict , and when the dividing line between public and private life seemed temporarily to have been blurred or even erased . ( 87 ) DeRitter's argument has merit because he points to an obvious 22 Nicholas Rowe ...
Strana 34
... seemed to be a thirst for something different . The managers often brought in entertainments that would " wow " the audiences as a way of off - setting the poor nature of the stage plays they presented . In the prologue to The Ambitious ...
... seemed to be a thirst for something different . The managers often brought in entertainments that would " wow " the audiences as a way of off - setting the poor nature of the stage plays they presented . In the prologue to The Ambitious ...
Strana 97
... seemed to have felt quite confident with his ability to write for the stage . Whether he was encouraged by his friends to do so or just decided that he would try something else , Rowe turned to several other dramatic forms as well as ...
... seemed to have felt quite confident with his ability to write for the stage . Whether he was encouraged by his friends to do so or just decided that he would try something else , Rowe turned to several other dramatic forms as well as ...
Obsah
CHAPTER ONE BACKGROUND ON THE STUDY OF NICHOLAS | 11 |
CHAPTER TWO THE BEGINNINGS OF ROWES CAREER | 25 |
CHAPTER THREE CHALLENGES FOR ACTRESSES | 47 |
Autorská práva | |
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