 | Joseph Rodes Buchanan - 1885 - 528 str.
...all she considered her best writing there was a ' not herself which took possession of her, and that she felt her own personality to be merely the instrument...in ' Middlemarch,' between Dorothea and Rosamond, saving that although she always knew they had, sooner or later, to come together, she kept the idea... | |
 | George Eliot - 1885 - 512 str.
...she considered her best writing, there was a " not herself " which took possession of her, and that she felt her own personality to be merely the instrument...the scene in ' Middlemarch ' between Dorothea and Rosa188o.] The Sense of "Possession." 425 mond, saying that, although she always knew they had, sooner... | |
 | George Eliot - 1885 - 502 str.
...she considered her best writing, there was a " not herself" which took possession of her, and that she felt her own personality to be merely the instrument...to the scene in ' Middlemarch' between Dorothea and Eosamond, saying that, although she always knew they had, sooner or later, to come together, she kept... | |
 | 1885 - 612 str.
...that she considered her best writing there was a ' not herself which took possession of her, and that she felt her own personality to be merely the instrument...through which this spirit, as it were, was acting ;" and he adds : " With this sense of ' possession' it is easy to imagine what the cost to the author... | |
 | Helen Gray Cone, Jeannette Leonard Gilder - 1887 - 312 str.
...herself," which took possession of her, and Hersense of that she felt her own personality to be possession, merely the instrument through which this spirit, as...although she always knew they had, sooner or later, and 1 it i • 1 Rosamond. to come together, she kept the idea resolutely out of her mind until Dorothea... | |
 | Catherine Jane Hamilton - 1893 - 352 str.
...Eliot's best writings, says Mr. Cross, " there was a ' not herself ' which took possession of her, she felt her own personality to be merely the instrument through which the spirit acted. This was specially the case in the scene between Dorothea and Rosamund. She always... | |
 | William Basil Worsfold - 1897 - 308 str.
...to the scene in Middlemarch between Dorothea and Rosamund, saying that, though she always knew that they had sooner or later to come together, she kept...idea resolutely out of her mind until Dorothea was in Rosamund's drawing-room. Then, abandoning herself to the inspiration of the moment, she wrote the whole... | |
 | 1913 - 638 str.
...that she considered her best writing, there was a 'not herself which took possession of her, and that she felt her own personality to be merely the instrument...through which this spirit, as it were, was acting." Both Thackeray and Dickens asserted that they were often absolutely surprised by the sayings and doings... | |
 | William Basil Worsfold - 1897 - 310 str.
...and possessed, as it were, by the persons of her creation. ' Particularly,' says her biographer, ' she dwelt on this in regard to the scene in Middlemarch between Dorothea and Rosamund, saying that, though she always knew that they had sooner or later to come together, she kept... | |
 | Franklin Verzelius Newton Painter - 1899 - 822 str.
...she considered her best writing, there was a ' not herself ' which took possession of her, and that she felt her own personality to be merely the instrument...through which this spirit, as it were, was acting." To a greater or less degree, this is true of all real genius. In her life she made grave mistakes,... | |
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But she told me that, in all that she considered her best writing, there was a " not herself " which took possession of her, and that she felt her own personality to be merely the instrument through which this spirit, as it were, was acting. 
