Shakespeare's Universe of Discourse: Language-Games in the ComediesCUP Archive, 21. 6. 1984 - Počet stran: 349 This book makes ample use of approaches to language within linguistics, semiotics, the philosophy of language and sociology, in order to do justice to the subtlety of Shakespeare's verbal artistry. Keir Elam adopts a fresh approach to the language of Shakespeare's comedies, considering it not simply as 'style' but as the principal dramatic and comic substance of the plays. Traditional analysis of the language as 'diction', 'expression' or 'verbal structure' is not adequate to describe the range and importance of linguistic functions in these plays. This book shows that in Shakespearean comedy language, or rather 'discourse', language in use, is always a dynamic, active protagonist of the drama. The author explores the extraordinary gamut of verbal activities or 'language-games' that contribute to the rich rhetorical make-up of the comedies. The historical framework complements the application of critical theory which will assure a readership among students and teachers of Shakespeare as well as those interested in liguistics and semiotics. |
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Strana vii
... stage 33 ( ii ) Presentational frames : three and a half epi- logues and one induction 34 ( iii ) Presentation framed , or the agonies of exposi- tion ( iv ) The presence of the voice ( v ) Extra - linguistic relations : verbal indices ...
... stage 33 ( ii ) Presentational frames : three and a half epi- logues and one induction 34 ( iii ) Presentation framed , or the agonies of exposi- tion ( iv ) The presence of the voice ( v ) Extra - linguistic relations : verbal indices ...
Strana x
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Obsah
INTRODUCTION GAMES AND FRAMES | 1 |
ii Shakespeares language Shakespeares come dies Shakespeares critics | 2 |
the speech act | 6 |
the languagegame ΙΟ | 10 |
v Frames for the games | 18 |
vi Shakespeare and the Elizabethan universe of discourse | 21 |
language en abyme | 23 |
ONE PERFORMANCES | 33 |
TWO UNIVERSES | 72 |
universes of discourse | 83 |
iii An appertinent title | 85 |
iv Beginnings | 89 |
the textuality | 104 |
viii Endings | 112 |
with a glance at Mistress Quicklys garter | 159 |
viii Foul words foul wind | 166 |
three and a half epi logues and one induction | 34 |
iii Presentation framed or the agonies of exposi tion | 40 |
iv The presence of the voice | 46 |
verbal indices | 50 |
verbal icons | 57 |
speaking as perfor mance | 64 |
the work in progress | 70 |
FOUR ACTS | 177 |
FIVE FIGURES | 235 |
Glossary | 309 |
References | 318 |
329 | |
Další vydání - Zobrazit všechny
Shakespeare's Universe of Discourse: Language-Games in the Comedies Keir Elam Náhled není k dispozici. - 1984 |
Běžně se vyskytující výrazy a sousloví
actor anaphoric antanaclasis Armado audience AYLI behaviour Berowne Berowne's character Clown comedy's comic canon context conversational Costard deixis device dialogue discourse doth dramatic world dramaturgic Duke effect Elizabethan elocutio ethical event exchange expression fictional figure frame gesture hath Hermes Trismegistus Holofernes Holofernes's hyperbole icon illocution illocutionary act irony Kath kind King ladies language language-game letter lexeme lexical linguistic lord Love's Labour's Lost Lucio means metaphor metonymy mode moral Moth Moth's narrative nature Navarre Navarre's object Orphic performance perlocutionary Petruchio's phonetic play play's poetic pragmatic pray proverb Puttenham reference referential Renaissance Rhet rhetorical role scene scheme semantic semiotic sense sentence Shakespeare's Shakespearean comedy speak speaker speech acts stage structure stylistic sweet syntactic talk textual theatrical thee things thou Tilley tongue topic trope turn utterance verbal words
Odkazy na tuto knihu
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