In some fair body thus th' informing soul
With spirit feeds, with vigour fills the whole.
Each motion guides, and every nerve sustains;
Itself unseen, but in th' effects, remains.
Some, to whom Heaven in wit has been profuse,
Want as much more, to turn it to its use;
For wit and judgment often are at strife,
Though meant each other's aid, like man and wife.
'Tis more to guide than spur the Muse's steed;
Restrain his fury, than provoke his speed;
The winged courser, like a generous horse,
Shows most true mettle when you check his course.
Those rules of old discovered, not devised,
Are Nature still, but Nature methodized;
Nature, like liberty, is but restrained

By the same laws which first herself ordained.
You, then, whose judgment the right course would
steer,

Know well each ancient's proper character;

His fable, subject, scope in every page;
Religion, country, genius of his age:
Without all these at once before your eyes,
Cavil you may, but never criticise.

Be Homer's works your study and delight,
Read them by day, and meditate by night;

Thence form your judgment, thence your maxims bring,
And trace the Muses upward to their spring.
Still with itself compared, his text peruse;
And let your comment be the Mantuan Muse.
When first young Maro in his boundless mind
A work t' outlast immortal Rome designed,
Perhaps he seemed above the critic's law,
And but from nature's fountains scorned to draw:
But when t'examine every part he came,
Nature and Homer were, he found, the same.
Convinced, amazed, he checks the bold design;
And rules as strict his laboured work confine
As if the Stagirite o'erlooked each line.
Learn hence for ancient rules a just esteem;
To copy nature is to copy them.

Some beauties yet no precepts can declare,
For there's a happiness as well as care.

Music resembles poetry, in each

Are nameless graces which no methods teach,
And which a master-hand alone can reach.
If, where the rules not far enough extend,

(Since rules were made but to promote their end)
Some lucky license answer to the full
Th' intent proposed, that license is a rule.
Thus Pegasus, a nearer way to take,

May boldly deviate from the common track;
From vulgar bounds with brave disorder part,
And snatch a grace beyond the reach of art,
Which without passing through the judgment, gains
The heart, and all its end at once attains.
In prospects thus, some objects please our eyes,
Which out of nature's common order rise,
The shapeless rock, or hanging precipice.
Great wits sometimes may gloriously offend,
And rise to faults true critics dare not mend.
But tho' the ancients thus their rules invade,
(As kings dispense with laws themselves have made)
Moderns, beware! or if you must offend
Against the precept, ne'er transgress its end;
Let it be seldom and compelled by need;
And have, at least, their precedent to plead.
The critic else proceeds without remorse,
Seizes your fame, and puts his laws in force.

I know there are, to whose presumptuous thoughts Those freer beauties, e'en in them, seem faults. Some figures monstrous and misshaped appear, Considered singly, or beheld too near,

Which, but proportioned to their light or place,
Due distance reconciles to form and grace.
A prudent chief not always must display
His powers in equal ranks, and fair array,
But with th' occasion and the place comply,
Conceal his force, nay, seem sometimes to fly.
Those oft are stratagems which errors seem,
Nor is it Homer nods, but we that dream.

A little learning is a dangerous thing;
Drink deep, or taste not the Pierian spring:

There shallow draughts intoxicate the brain,
And drinking largely sobers us again.

Fired at first sight with what the Muse imparts,
In fearless youth we tempt the heights of arts,
While from the bounded level of our mind,
Short views we take, nor see the lengths behind;
But more advanced, behold with strange surprise
New distant scenes of endless science rise!
So pleased at first the towering Alps we try,
Mount o'er the vales, and seem to tread the sky,
Th' eternal snows appear already past,

And the first clouds and mountains seem the last;
But, those attained, we tremble to survey
The growing labours of the lengthened way,
Th' increasing prospects tire our wandering eyes,
Hills peep o'er hills, and Alps on Alps arise!
A perfect judge will read each work of wit
With the same spirit that its author writ:
Survey the whole, nor seek slight faults to find
Where nature moves, and rapture warms the mind;
Nor lose, for that malignant dull delight,
The gen'rous pleasure to be charmed with wit.
But in such lays as neither ebb, nor flow,
Correctly cold, and regularly low,

That shunning faults, one quiet tenor keep;
We cannot blame indeed-but we may sleep.
In wit, as nature, what affects our hearts
Is not th' exactness of peculiar parts:
'Tis not a lip, or eye, we beauty call,

But the joint force and full result of all.

Thus when we view some well-proportioned dome, (The world's just wonder, and e'en thine, O Rome!) No single parts unequally surprise,

All comes united to th' admiring eyes;

No monstrous height, or breadth, or length appear; The whole at once is bold, and regular.

Whoever thinks a faultless piece to see,

Thinks what ne'er was, nor is, nor e'er shall be.
In every work regard the writer's end,

Since none can compass more than they intend;
And if the means be just, the conduct true,
Applause, in spite of trivial faults, is due;

As men of breeding, sometimes men of wit,
T' avoid great errors, must the less commit:
Neglect the rules each verbal critic lays,
For not to know some trifles, is a praise.
Most critics, fond of some subservient art,
Still make the whole depend upon a part:
They talk of principles, but notions prize,
And all to one loved folly sacrifice.

Once on a time, La Mancha's knight, they say,
A certain bard encountering on the way,
Discoursed in terms as just, with looks as sage,
As e'er could Dennis of the Grecian stage;
Concluding all were desperate sots and fools,
Who durst depart from Aristotle's rules.
Our author, happy in a judge so nice,

Produced his play, and begged the knight's advice;
Made him observe the subject, and the plot,
The manners, passions, unities, what not?
All which, exact to rule, were brought about,
Were but a combat in the lists left out.

'What! leave the combat out?' exclaims the knight; Yes, or we must renounce the Stagirite.

'Not so, by Heaven' (he answers in a rage),

'Knights, squires, and steeds, must enter on the stage.'
So vast a throng the stage can ne'er contain.
"Then build a new, or act it in a plain.'
Thus critics, of less judgment than caprice,
Curious not knowing, not exact but nice,
Form short ideas; and offend in arts
(As most in manners) by a love to parts.
Some to conceit alone their taste confine,
And glitt'ring thoughts struck out at every line;
Pleased with a work where nothing's just or fit;
One glaring chaos and wild heap of wit.
Poets like painters, thus unskilled to trace
The naked nature and the living grace,
With gold and jewels cover every part,
And hide with ornaments their want of art.
True wit is nature to advantage dressed,

What oft was thought, but ne'er so well expressed;
Something, whose truth convinced at sight we find,
That gives us back the image of our mind.

As shades more sweetly recommend the light,
So modest plainness sets off sprightly wit.
For works may have more wit than does 'em good,
As bodies perish through excess of blood.

Others for language all their care express,
And value books, as women, men, for dress:
Their praise is still,—the style is excellent;
The sense, they humbly take upon content.
Words are like leaves; and where they most abound,
Much fruit of sense beneath is rarely found.
False eloquence, like the prismatic glass,
Its gaudy colours spreads on every place;
The face of nature we no more survey,
All glares alike, without distinction gay:
But true expression, like th' unchanging sun,
Clears and improves whate'er it shines upon,
It gilds all objects, but it alters none.
Expression is the dress of thought, and still
Appears more decent, as more suitable;
A vile conceit in pompous words expressed,
Is like a clown in regal purple dressed:
For different styles with different subjects sort,
As several garbs with country, town, and court.
Some by old words to fame have made pretence,
Ancients in phrase, mere moderns in their sense;
Such laboured nothings, in so strange a style,
Amaze th' unlearn'd, and make the learned smile.
Unlucky, as Fungoso in the play,

These sparks with awkward vanity display
What the fine gentleman wore yesterday;
And but so mimic ancient wits at best,

As apes our grandsires, in their doublets dressed.
In words, as fashions, the same rule will hold;

Alike fantastic, if too new, or old:

Be not the first by whom the new are tried,

Nor yet the last to lay the old aside.

But most by numbers judge a poet's song;

And smooth or rough, with them, is right or wrong:
In the bright Muse though thousand charms conspire,
Her voice is all these tuneful fools admire;

Who haunt Parnassus but to please their ear,