Elements of Criticism, Svazek 3Johnson Reprint Corporation, 1967 |
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Výsledky 1-3 z 43
Strana 139
... beauty but what arises from their found , acquire an adventitious beauty from their meaning . A word fignifying any thing that is agreeable , becomes by that means agreeable ; for the agreeableness of the object is communicated to its ...
... beauty but what arises from their found , acquire an adventitious beauty from their meaning . A word fignifying any thing that is agreeable , becomes by that means agreeable ; for the agreeableness of the object is communicated to its ...
Strana 321
... beauty , in oppofition , is neglected as improper and impertinent . In things again intended for ornament , such as pillars , obelisks , tri- umphal arches , beauty folely ought to be regarded . A Heathen temple must be con- fidered as ...
... beauty , in oppofition , is neglected as improper and impertinent . In things again intended for ornament , such as pillars , obelisks , tri- umphal arches , beauty folely ought to be regarded . A Heathen temple must be con- fidered as ...
Strana 336
... beauty , but is infeparably connected with a beauty of the first magnitude . Parts that in conjunction appear proportional , never fail separately to produce fimilar emotions ; which exifting together , are extremely plea- fant , as I ...
... beauty , but is infeparably connected with a beauty of the first magnitude . Parts that in conjunction appear proportional , never fail separately to produce fimilar emotions ; which exifting together , are extremely plea- fant , as I ...
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abſtract action Æneid againſt agreeable allegory alſo appears arts beauty becauſe beſt betwixt caufe cauſe cenfured chap circumſtances compariſon compofition confidered connected courſe deſcription difagreeable diſtinguiſhed effect emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fenfe fenfible fhall fignify figure fimile firſt fize fome ftill fubject fuch garden grandeur hath himſelf hiſtory houſe Iliad imagination impreffion inftances inſtead itſelf ject language laſt leaſt lefs leſs meaſure metaphor mind moſt Mozambic mufic muſt nature neceffary obfcure obferved objects occafion ornament paffage paffion Paradife Loft pauſe perfon perfonification pleaſant pleaſe pleaſure preſent principal proper proportion purpoſe raiſed reaſon regularity reliſhed repreſentation repreſented reſemblance reſpect Richard II ſay ſcarce ſcene ſeen ſenſe Shakeſpear ſhall ſhould ſmall ſome ſpectator ſpeech ſtage ſtandard ſtate ſtill ſuch tafte taſte termed thee thefe theſe thing thoſe thou tion tragedy uſe word