Reading Poetry: An IntroductionPrentice Hall/Harvester Wheatsheaf, 1996 - Počet stran: 427 Many readers will have already acquired the basis for self-conscious and self-critical reading strategies through their everyday responses to popular culture. This innovative new textbook will help develop these strategies and interpretive skills by recognising and explaining the open and multi-dimensional qualities of the poetic text. At the same time, Reading Poetry is theoretically informed and up-to-date, taking into account the wealth of theoretical speculation about poetry, and literature in general, the twentieth-century has produced. A wide spectrum of examples has been included, ranging from fifteenth-century lyrics and ballads to contemporary poetry from all over the English-speaking world. Features a unique combination of theory and practice unprecedented in an undergraduate textbook, arguments and discussions supported by analytic examples and case studies, chapter-end exercises to help develop critical analysis, and well-known 'canonical' poems placed alongside the poetry of marginalised groups to exemplify the different meaning and uses of poetry. |
Vyhledávání v knize
Výsledky 1-3 z 50
Strana 167
... feelings and experience . For such readers , this seems so obvious that it has become the very definition of poetry itself , and is often the motivation for reading poetry in the first place.10 Such an approach would therefore assume ...
... feelings and experience . For such readers , this seems so obvious that it has become the very definition of poetry itself , and is often the motivation for reading poetry in the first place.10 Such an approach would therefore assume ...
Strana 209
... feeling . Ambivalence is the coexistence in one person of opposite feelings towards an object , person or situation . An ambivalent feeling might result in , or be revealed by , an ambiguous statement , but not necessarily . And by the ...
... feeling . Ambivalence is the coexistence in one person of opposite feelings towards an object , person or situation . An ambivalent feeling might result in , or be revealed by , an ambiguous statement , but not necessarily . And by the ...
Strana 296
... Feelings , are deduced from , and associated with , the scenery of Nature ' ( cited in Curran , p . 36 ) . This ... feelings , though they offer no clue as to the circumstances that occasioned those feelings indeed , their status as ...
... Feelings , are deduced from , and associated with , the scenery of Nature ' ( cited in Curran , p . 36 ) . This ... feelings , though they offer no clue as to the circumstances that occasioned those feelings indeed , their status as ...
Obsah
Metre and Syntax ix | 3 |
Creative Form and the Arbitrary Nature of Language | 4 |
George Herbert Easter Wings 1633 | 69 |
Autorská práva | |
Další části 20 nejsou zobrazeny.
Běžně se vyskytující výrazy a sousloví
achieved ambiguity American analysis appear argues argument assumptions attempt ballad become beginning called century Chapter claim close context conventions criticism cultural describe developed discourse discussion effect English example experience fact feelings figurative genre human idea imagination important indicates interesting interpretation irony Keats's kind language leaves literary literature living look lyric meaning metaphor metre Milton mind nature particular pattern perhaps period phrase play poem poem's poetic poetry poets political possible present produced question reader reading reasons recognize refer relation relationship response reveals rhetorical rhyme rhythm Romantic seems seen sense signifier similar simply song sonnet sound speaker speech stanza stress structure suggests syllables syntax theory things thought tradition turn understand verse voice whole Wordsworth writing written
Odkazy na tuto knihu
Creativity and Writing: Developing Voice and Verve in the Classroom Teresa Grainger,Kathy Goouch,Andrew Lambirth Náhled není k dispozici. - 2005 |