Shakespeare's Comedy of LoveRoutledge, 11. 10. 2013 - Počet stran: 288 First published in 1987. |
Vyhledávání v knize
Výsledky 1-5 z 23
Strana 7
... Duke of Syracuse's treatment of Ephesian merchants has led to 'mortal and intestine jars' (I. i. 11), and to a sentence of death on any merchant from one town who visits the other. This is the predicament in which Aegeon stands in the ...
... Duke of Syracuse's treatment of Ephesian merchants has led to 'mortal and intestine jars' (I. i. 11), and to a sentence of death on any merchant from one town who visits the other. This is the predicament in which Aegeon stands in the ...
Strana 8
... Duke himself (v. i. I 37—8, I 98). In the commercial and domestic spheres he inhabits, disruption may be fun for the audience, but it is unsettling and unpleasant for the victim. As we see throughout Shakespeare's comedies, love seems ...
... Duke himself (v. i. I 37—8, I 98). In the commercial and domestic spheres he inhabits, disruption may be fun for the audience, but it is unsettling and unpleasant for the victim. As we see throughout Shakespeare's comedies, love seems ...
Strana 9
... chance to reply to the Duke's proposal of marriage. . 7 See R. A. Foakes, introduction to his Arden edition of The Comedy of Errors (London, 1962), p. xxix. 8 For a detailed discussion of the loss of identity THE COMEDY OF ERRORS 9.
... chance to reply to the Duke's proposal of marriage. . 7 See R. A. Foakes, introduction to his Arden edition of The Comedy of Errors (London, 1962), p. xxix. 8 For a detailed discussion of the loss of identity THE COMEDY OF ERRORS 9.
Strana 15
... , some of the wonder experienced by Antipholus of Syracuse begins to touch the more practical Ephesians. When the Duke sees the twins together he exclaims: One of these men is genius to the other; And THE COMEDY OF ERRORS 15.
... , some of the wonder experienced by Antipholus of Syracuse begins to touch the more practical Ephesians. When the Duke sees the twins together he exclaims: One of these men is genius to the other; And THE COMEDY OF ERRORS 15.
Strana 16
... Duke is a confused babble that produces no result, since everyone's idea of 'justice' is different and the Duke has no idea what the problem is.12 In the last scene the Abbess, not the Duke, is the real figure of authority, remaining ...
... Duke is a confused babble that produces no result, since everyone's idea of 'justice' is different and the Duke has no idea what the problem is.12 In the last scene the Abbess, not the Duke, is the real figure of authority, remaining ...
Obsah
1 | |
2 The Two Gentlemen of Verona | 21 |
3 The Taming of the Shrew | 41 |
4 Loves Labours Lost | 63 |
5 A Midsummer Nights Dream | 89 |
6 The Merchant of Venice | 117 |
7 Much Ado About Nothing | 151 |
8 As You Like It | 185 |
9 Twelfth Night | 221 |
beyond Twelfth Night | 255 |
Index | 269 |
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Antonio appears artifice audience awareness Bassanio Beatrice and Benedick behaviour Belmont Berowne Berowne’s Bianca Cesario characters Claudio clowns Comedy of Errors comic convention courtship detachment disguise dislocation Don Pedro doth dramatic idiom Dromio Duke effect Ephesus experience eyes fairies fantasy father feeling figure final scene finally find first scene formal Ganymede Gentlemen of Verona give harmony hath Hermia Hero idea joke Julia Katherina kind lady London lord Love’s Labour’s Lost lovers Malvolio marriage Merchant of Venice Midsummer Night’s Dream mind mockery nature Olivia Orlando Orsino pattern Petruchio play’s plot Portia Proteus Proteus’s reality reflects rhyme role romantic love Rosalind satiric seen sense Shakespeare Shakespeare’s comedies Shakespearian comedy Shrew Shylock Silvius simply Sir Andrew Sir Toby speech sport story stylized suggests Taming thee Theseus thou throughout the play Touchstone Twelfth Night Venice Viola vision words