Shakespeare's Comedy of LoveRoutledge, 11. 10. 2013 - Počet stran: 288 First published in 1987. |
Vyhledávání v knize
Výsledky 1-5 z 48
Strana 2
... audience is left in the dark, for 1 References to Menaechmi are to William Warner's translation, in Geoffrey Bullough, Narrative and Dramatic Sources QfShakespeare, I (London, 1957). On the Shakespeare takes fewer pains than Plautus to ...
... audience is left in the dark, for 1 References to Menaechmi are to William Warner's translation, in Geoffrey Bullough, Narrative and Dramatic Sources QfShakespeare, I (London, 1957). On the Shakespeare takes fewer pains than Plautus to ...
Strana 4
... audience) a comic anticlimax. The contrast is driven home, once again, by the different styles of speech — the casual chatter of the courtesan, the explosive horror of Antipholus and, on the side, Dromio's more familiar recognition of ...
... audience) a comic anticlimax. The contrast is driven home, once again, by the different styles of speech — the casual chatter of the courtesan, the explosive horror of Antipholus and, on the side, Dromio's more familiar recognition of ...
Strana 7
... audience) Ephesus is the familiar seaport town of Plautine comedy, a small world of commerce and domesticity, where, as E. M. W. Tillyard puts it, 'everyone knows everyone else's business, where merchants predominate, and where dinner ...
... audience) Ephesus is the familiar seaport town of Plautine comedy, a small world of commerce and domesticity, where, as E. M. W. Tillyard puts it, 'everyone knows everyone else's business, where merchants predominate, and where dinner ...
Strana 8
... audience, but it is unsettling and unpleasant for the victim. As we see throughout Shakespeare's comedies, love seems to thrive on irrationality and confusion, and emerges from it strengthened, renewed and satisfied: the experience of ...
... audience, but it is unsettling and unpleasant for the victim. As we see throughout Shakespeare's comedies, love seems to thrive on irrationality and confusion, and emerges from it strengthened, renewed and satisfied: the experience of ...
Strana 17
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Obsah
1 | |
2 The Two Gentlemen of Verona | 21 |
3 The Taming of the Shrew | 41 |
4 Loves Labours Lost | 63 |
5 A Midsummer Nights Dream | 89 |
6 The Merchant of Venice | 117 |
7 Much Ado About Nothing | 151 |
8 As You Like It | 185 |
9 Twelfth Night | 221 |
beyond Twelfth Night | 255 |
Index | 269 |
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Antonio appears artifice audience awareness Bassanio Beatrice and Benedick behaviour Belmont Berowne Berowne’s Bianca Cesario characters Claudio clowns Comedy of Errors comic convention courtship detachment disguise dislocation Don Pedro doth dramatic idiom Dromio Duke effect Ephesus experience eyes fairies fantasy father feeling figure final scene finally find first scene formal Ganymede Gentlemen of Verona give harmony hath Hermia Hero idea joke Julia Katherina kind lady London lord Love’s Labour’s Lost lovers Malvolio marriage Merchant of Venice Midsummer Night’s Dream mind mockery nature Olivia Orlando Orsino pattern Petruchio play’s plot Portia Proteus Proteus’s reality reflects rhyme role romantic love Rosalind satiric seen sense Shakespeare Shakespeare’s comedies Shakespearian comedy Shrew Shylock Silvius simply Sir Andrew Sir Toby speech sport story stylized suggests Taming thee Theseus thou throughout the play Touchstone Twelfth Night Venice Viola vision words