Shakespeare's Comedy of LoveRoutledge, 11. 10. 2013 - Počet stran: 288 First published in 1987. |
Vyhledávání v knize
Výsledky 1-5 z 85
Strana xi
... characters may be understood from that point of view alone, and thus denied their full life. By the same token, since so many of Shakespeare's comedies use the same devices, there has been an understandable tendency among critics to ...
... characters may be understood from that point of view alone, and thus denied their full life. By the same token, since so many of Shakespeare's comedies use the same devices, there has been an understandable tendency among critics to ...
Strana 2
... characters; only a temporary bewilderment that is easily explained away. Shakespeare's Antipholus of Syracuse, addressed by name by a woman he has never seen before, asks, 'How can she thus, then, call us by our names, / Unless it be by ...
... characters; only a temporary bewilderment that is easily explained away. Shakespeare's Antipholus of Syracuse, addressed by name by a woman he has never seen before, asks, 'How can she thus, then, call us by our names, / Unless it be by ...
Strana 3
... characters seem at times to inhabit different worlds, different orders of experience. Some of this effect is created by the mingling — and, at times, the collision — of dramatic styles. In II. ii Adriana, meeting the man she thinks is ...
... characters seem at times to inhabit different worlds, different orders of experience. Some of this effect is created by the mingling — and, at times, the collision — of dramatic styles. In II. ii Adriana, meeting the man she thinks is ...
Strana 4
... characters who are operating in quite a different dramatic world. And any chance we might have of making the ... character is comically dislocated. The courtesan is simply living her casual, material life, while Antipholus is struggling ...
... characters who are operating in quite a different dramatic world. And any chance we might have of making the ... character is comically dislocated. The courtesan is simply living her casual, material life, while Antipholus is struggling ...
Strana 6
... characters more sharply distinguished,2 but the difference between their experiences is more emphasized. In the words of A. C. Hamilton, Antipholus of Ephesus 'endures a nightmare' while his brother 'enjoys a delightful dream'.3 One is ...
... characters more sharply distinguished,2 but the difference between their experiences is more emphasized. In the words of A. C. Hamilton, Antipholus of Ephesus 'endures a nightmare' while his brother 'enjoys a delightful dream'.3 One is ...
Obsah
1 | |
2 The Two Gentlemen of Verona | 21 |
3 The Taming of the Shrew | 41 |
4 Loves Labours Lost | 63 |
5 A Midsummer Nights Dream | 89 |
6 The Merchant of Venice | 117 |
7 Much Ado About Nothing | 151 |
8 As You Like It | 185 |
9 Twelfth Night | 221 |
beyond Twelfth Night | 255 |
Index | 269 |
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Antonio appears artifice audience awareness Bassanio Beatrice and Benedick behaviour Belmont Berowne Berowne’s Bianca Cesario characters Claudio clowns Comedy of Errors comic convention courtship detachment disguise dislocation Don Pedro doth dramatic idiom Dromio Duke effect Ephesus experience eyes fairies fantasy father feeling figure final scene finally find first scene formal Ganymede Gentlemen of Verona give harmony hath Hermia Hero idea joke Julia Katherina kind lady London lord Love’s Labour’s Lost lovers Malvolio marriage Merchant of Venice Midsummer Night’s Dream mind mockery nature Olivia Orlando Orsino pattern Petruchio play’s plot Portia Proteus Proteus’s reality reflects rhyme role romantic love Rosalind satiric seen sense Shakespeare Shakespeare’s comedies Shakespearian comedy Shrew Shylock Silvius simply Sir Andrew Sir Toby speech sport story stylized suggests Taming thee Theseus thou throughout the play Touchstone Twelfth Night Venice Viola vision words