Shakespeare's Comedy of LoveRoutledge, 11. 10. 2013 - Počet stran: 288 First published in 1987. |
Vyhledávání v knize
Výsledky 1-5 z 40
Strana xi
... story, then individual scenes or characters may be understood from that point of view alone, and thus denied their full life. By the same token, since so many of Shakespeare's comedies use the same devices, there has been an ...
... story, then individual scenes or characters may be understood from that point of view alone, and thus denied their full life. By the same token, since so many of Shakespeare's comedies use the same devices, there has been an ...
Strana xii
... story to familiar folk tales can shift from scene to scene. In short, instead of freezing the plays in order to demonstrate one particular thing about them, I have tried to 'see them as dynamic and constantly changing. The same applies ...
... story to familiar folk tales can shift from scene to scene. In short, instead of freezing the plays in order to demonstrate one particular thing about them, I have tried to 'see them as dynamic and constantly changing. The same applies ...
Strana 13
... story come true for Dromio: 'This is the fairy land. O spite of spites! / We talk with goblins, owls, and sprites!' (11. ii. 188—9). In place of his master's exotic 'Lapland sorcerers', Dromio imagines Ephesus as a town full of more ...
... story come true for Dromio: 'This is the fairy land. O spite of spites! / We talk with goblins, owls, and sprites!' (11. ii. 188—9). In place of his master's exotic 'Lapland sorcerers', Dromio imagines Ephesus as a town full of more ...
Strana 14
... story. But there is a larger story in the background, and a very different kind of story from the farcical tale of confusion that occupies our attention for most of the play. The story of Aegeon is a tale of wandering, shipwreck and ...
... story. But there is a larger story in the background, and a very different kind of story from the farcical tale of confusion that occupies our attention for most of the play. The story of Aegeon is a tale of wandering, shipwreck and ...
Strana 15
... stories like Aegeon's will be made fully dramatic; but in The Tempest Shakespeare returns to the method of The Comeafiz ryf Errors. At the end of the play, however, Aegeon returns — as it were, bringing his story with him ~ and as the ...
... stories like Aegeon's will be made fully dramatic; but in The Tempest Shakespeare returns to the method of The Comeafiz ryf Errors. At the end of the play, however, Aegeon returns — as it were, bringing his story with him ~ and as the ...
Obsah
1 | |
2 The Two Gentlemen of Verona | 21 |
3 The Taming of the Shrew | 41 |
4 Loves Labours Lost | 63 |
5 A Midsummer Nights Dream | 89 |
6 The Merchant of Venice | 117 |
7 Much Ado About Nothing | 151 |
8 As You Like It | 185 |
9 Twelfth Night | 221 |
beyond Twelfth Night | 255 |
Index | 269 |
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Antonio appears artifice audience awareness Bassanio Beatrice and Benedick behaviour Belmont Berowne Berowne’s Bianca Cesario characters Claudio clowns Comedy of Errors comic convention courtship detachment disguise dislocation Don Pedro doth dramatic idiom Dromio Duke effect Ephesus experience eyes fairies fantasy father feeling figure final scene finally find first scene formal Ganymede Gentlemen of Verona give harmony hath Hermia Hero idea joke Julia Katherina kind lady London lord Love’s Labour’s Lost lovers Malvolio marriage Merchant of Venice Midsummer Night’s Dream mind mockery nature Olivia Orlando Orsino pattern Petruchio play’s plot Portia Proteus Proteus’s reality reflects rhyme role romantic love Rosalind satiric seen sense Shakespeare Shakespeare’s comedies Shakespearian comedy Shrew Shylock Silvius simply Sir Andrew Sir Toby speech sport story stylized suggests Taming thee Theseus thou throughout the play Touchstone Twelfth Night Venice Viola vision words