Shakespeare's Comedy of LoveRoutledge, 11. 10. 2013 - Počet stran: 288 First published in 1987. |
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Výsledky 1-5 z 38
Strana xiii
... visions. It is this sense of a dynamic art — growing, changing, self-questioning — that I have tried to capture here.1 This page intentionally left blank I The Comedy of Errors. 1 A word should be said about the omission of The Merry ...
... visions. It is this sense of a dynamic art — growing, changing, self-questioning — that I have tried to capture here.1 This page intentionally left blank I The Comedy of Errors. 1 A word should be said about the omission of The Merry ...
Strana 3
... vision and a uniform texture. But Shakespeare gives us a play in a more mixed dramatic idiom. The market-place atmosphere of Plautus is still present, but it no longer monopolizes the play; it is varied by suggestions of fantasy and ...
... vision and a uniform texture. But Shakespeare gives us a play in a more mixed dramatic idiom. The market-place atmosphere of Plautus is still present, but it no longer monopolizes the play; it is varied by suggestions of fantasy and ...
Strana 11
... vision, comically at odds with reality. In their scene together, we note the practical, worldly manner of Luciana's advice: If you did wed my sister for her wealth, Then for her wealth's sake use her with more kindness; Or, if you like ...
... vision, comically at odds with reality. In their scene together, we note the practical, worldly manner of Luciana's advice: If you did wed my sister for her wealth, Then for her wealth's sake use her with more kindness; Or, if you like ...
Strana 12
... vision, though clear enough, is less drastic than it might have been. The alternate rhyme they both use gives a heightened, formal quality to her speech. Despite its worldly content there is something oracular in its manner, and the ...
... vision, though clear enough, is less drastic than it might have been. The alternate rhyme they both use gives a heightened, formal quality to her speech. Despite its worldly content there is something oracular in its manner, and the ...
Strana 19
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Obsah
1 | |
2 The Two Gentlemen of Verona | 21 |
3 The Taming of the Shrew | 41 |
4 Loves Labours Lost | 63 |
5 A Midsummer Nights Dream | 89 |
6 The Merchant of Venice | 117 |
7 Much Ado About Nothing | 151 |
8 As You Like It | 185 |
9 Twelfth Night | 221 |
beyond Twelfth Night | 255 |
Index | 269 |
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Antonio appears artifice audience awareness Bassanio Beatrice and Benedick behaviour Belmont Berowne Berowne’s Bianca Cesario characters Claudio clowns Comedy of Errors comic convention courtship detachment disguise dislocation Don Pedro doth dramatic idiom Dromio Duke effect Ephesus experience eyes fairies fantasy father feeling figure final scene finally find first scene formal Ganymede Gentlemen of Verona give harmony hath Hermia Hero idea joke Julia Katherina kind lady London lord Love’s Labour’s Lost lovers Malvolio marriage Merchant of Venice Midsummer Night’s Dream mind mockery nature Olivia Orlando Orsino pattern Petruchio play’s plot Portia Proteus Proteus’s reality reflects rhyme role romantic love Rosalind satiric seen sense Shakespeare Shakespeare’s comedies Shakespearian comedy Shrew Shylock Silvius simply Sir Andrew Sir Toby speech sport story stylized suggests Taming thee Theseus thou throughout the play Touchstone Twelfth Night Venice Viola vision words