Shakespeare's Comedy of LoveRoutledge, 11. 10. 2013 - Počet stran: 288 First published in 1987. |
Vyhledávání v knize
Výsledky 1-5 z 61
Strana xiii
... word should be said about the omission of The Merry Wives of Windsor from this study. I think more highly of the play than do many critics, but I feel the best way of approaching it is not to group it with the romantic comedies (it is a ...
... word should be said about the omission of The Merry Wives of Windsor from this study. I think more highly of the play than do many critics, but I feel the best way of approaching it is not to group it with the romantic comedies (it is a ...
Strana 3
... word of explanation. The Roman comedy of confusion takes place in a practical world, where nothing is inexplicable, and where the issues at stake are largely the material ones of who owns what and where the next meal is coming from. The ...
... word of explanation. The Roman comedy of confusion takes place in a practical world, where nothing is inexplicable, and where the issues at stake are largely the material ones of who owns what and where the next meal is coming from. The ...
Strana 6
... words of A. C. Hamilton, Antipholus of Ephesus 'endures a nightmare' while his brother 'enjoys a delightful dream'.3 One is showered with gifts, money and women; the other is locked out of his house, arrested for debt and tied up as a ...
... words of A. C. Hamilton, Antipholus of Ephesus 'endures a nightmare' while his brother 'enjoys a delightful dream'.3 One is showered with gifts, money and women; the other is locked out of his house, arrested for debt and tied up as a ...
Strana 11
... words, 'So I, to find a mother and a brother, / In quest of them, unhappy, lose myself ' (I. ii. 39—40). But now he is eager to lose himself in a more profound way, transformed by love. 8 There is certainly a transformation in his ...
... words, 'So I, to find a mother and a brother, / In quest of them, unhappy, lose myself ' (I. ii. 39—40). But now he is eager to lose himself in a more profound way, transformed by love. 8 There is certainly a transformation in his ...
Strana 12
... words' deceit. (111. ii. 29—36) But the comic disparity between Luciana as we see her and the lover's special vision, though clear enough, is less drastic than it might have been. The alternate rhyme they both use gives a heightened ...
... words' deceit. (111. ii. 29—36) But the comic disparity between Luciana as we see her and the lover's special vision, though clear enough, is less drastic than it might have been. The alternate rhyme they both use gives a heightened ...
Obsah
1 | |
2 The Two Gentlemen of Verona | 21 |
3 The Taming of the Shrew | 41 |
4 Loves Labours Lost | 63 |
5 A Midsummer Nights Dream | 89 |
6 The Merchant of Venice | 117 |
7 Much Ado About Nothing | 151 |
8 As You Like It | 185 |
9 Twelfth Night | 221 |
beyond Twelfth Night | 255 |
Index | 269 |
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
Antonio appears artifice audience awareness Bassanio Beatrice and Benedick behaviour Belmont Berowne Berowne’s Bianca Cesario characters Claudio clowns Comedy of Errors comic convention courtship detachment disguise dislocation Don Pedro doth dramatic idiom Dromio Duke effect Ephesus experience eyes fairies fantasy father feeling figure final scene finally find first scene formal Ganymede Gentlemen of Verona give harmony hath Hermia Hero idea joke Julia Katherina kind lady London lord Love’s Labour’s Lost lovers Malvolio marriage Merchant of Venice Midsummer Night’s Dream mind mockery nature Olivia Orlando Orsino pattern Petruchio play’s plot Portia Proteus Proteus’s reality reflects rhyme role romantic love Rosalind satiric seen sense Shakespeare Shakespeare’s comedies Shakespearian comedy Shrew Shylock Silvius simply Sir Andrew Sir Toby speech sport story stylized suggests Taming thee Theseus thou throughout the play Touchstone Twelfth Night Venice Viola vision words