Identity, Performance and Technology: Practices of Empowerment, Embodiment and Technicity
This project investigates the implications of technology on identity in embodied performance, opening up a forum of debate exploring the interrelationship of and between identities in performance practices and considering how identity is formed, de-formed, blurred and celebrated within diverse approaches to technological performance practice.
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aesthetic audience member audio audio description avatar Bausch becomes Boddington body Boulez Broadhurst choreography collaboration communication complex concept connection consciousness contemporary create creative cultural dance theatre dancers Derrida developed digital performance disclosure embodied emergent Emmy engage environments eudaimonia experience explore feel film Graeae graphics tablet Helen human identity Improvising artists interaction intercultural interface Jenny Jewess Tattooess Josephine Machon Kozel Leslie Hill Lisa Nelson listening live performance London Lynn Hershman Leeson Macmillan Publishers Limited magic illusions movement moving multiple narrative Netrooms notion on-stage Palgrave Macmillan perception Performance and Technology pharmakos physical piece Pina Pina Bausch play potential present production Publishers Limited 2012 rafts relationship Robert Lepage Roberta Breitmore screen sense shared social sound space sprite stage Stelarc’s story structure Tanztheater tattooed techniques Telematic telepresence theatrical tion trans University virtual visual women writing