 | Samuel Johnson - 1765 - 80 str.
...Alexandria, and the next at Rome, fuppofes, that when the play opens the fpedator really imagines himfelf at Alexandria, and believes that his walk to the theatre...voyage to Egypt, and that he lives in the days of Antony and Cleopatra. Surely he that imagines this, may imagine more. He that can take the ftage at... | |
 | 1765 - 600 str.
...the play opens the fpe&ator really -imagines himfelf at Alexandria, and believes that his walk to rhe theatre has been a voyage to Egypt, and that he lives in the days of Antony and Cleopatra. Surely he that imagines this may imagine more. He that can take the frage at... | |
 | Several Hands - 1765 - 624 str.
...Alexandria, and the next at Rome, fuppofes, that when the play opens the fpcclato: really imagines Jiimfelf at Alexandria, and believes that his walk to the theatre has been a voyage to Е'дурс, and that lie lives in the days of Antony and Cleopatra, aurejy he that imagines this may... | |
 | William Shakespeare - 1768 - 676 str.
...Alexandria, and the next at Rome, fuppofcs, that when the play opens the fpectator really imagines himfclf at Alexandria, and believes that his walk to the theatre...voyage to Egypt, and that he lives in the days of Antony and Cleopatra. Surely he that imagines this, may imagine more. He that can take the ftage at... | |
 | William Shakespeare - 1773 - 554 str.
...fuppofes, that when the play opens the fpectator really imagines himfelf at Alexandria, and be^ Jieves that his walk to the theatre has been a voyage to Egypt, and that he lives in the days of Antony and Cleopatra. Surely he that imagines this may imagine more. He that can take the ftage at... | |
 | Samuel Johnson - 1774 - 374 str.
...Alexandria, and the next at Rome, fuppofes, that when the Play opens, the Spectator really imagines himfelf at Alexandria, and believes that his Walk to the Theatre...Voyage to Egypt, and that he lives in the Days of Antony and Cleopatra. Surely he that imagines this, may imagine more. He that can take the Stage at... | |
 | Samuel Johnson - 1774 - 412 str.
...Alexandria^ and the next at Rim:) fuppofes, that when the Play opens, the Spectator really imagines himfelf at Alexandria, and believes that his Walk to the Theatre has been a Voyage to E'j.ypt, and that he lives in the Days of Anttny and Clcjpatra. Surely he that imagines this, may imagine... | |
 | Samuel Johnson, John Hawkins - 1787 - 500 str.
...Alexandria, and the next at Rome, fuppofes, that when the play opens, the fpec«tator really imagines himfelf at Alexandria, and believes that his walk to the theatre...voyage to Egypt, and that he lives in the days of Antony and Cleopatra. Surely he that imagines this may imagine more. He that can take the ftage at... | |
 | William Shakespeare - 1788 - 346 str.
...Alexandria, and the next at Rome, supposes, that when the play opens, the spectator really imagines himself at Alexandria; and believes that his walk to the theatre...voyage to Egypt, and that he lives in the days of Antony and Cleopatra. Surely he that imagines this may imagine more. He that can take the stage at... | |
 | Vicesimus Knox - 1790 - 1058 str.
...Alexandria, and the next at Rome, fuppofes, that when the play opens, the fpettator really imagines himfelf at Alexandria ; and believes that his walk to the...voyage to Egypt, and that he lives in the days of Antony and Cleopatra. Surely he that imagines this may imagine more. He that can take the ftage at... | |
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The objection arising from the impossibility of passing the first hour at Alexandria and the next at Rome supposes that, when the play opens, the spectator really imagines himself at Alexandria, and believes that his walk to the theatre has been a voyage... 
