"A Diamond, Though Set in Horn": Philip Massinger's Attitude to SpectacleInstitut für Anglistik und Amerikanistik, Universität Salzburg, 1984 - Počet stran: 282 |
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Strana 218
... Antiochus himself is paraded like a triumphal captive in Act Four , and his statue has already ' grac'd ' the triumph of his conqueror Marcus Scaurus ( II.ii.219-20 ) . Antiochus ' follower , the Flamen Berecinthius , wears a ...
... Antiochus himself is paraded like a triumphal captive in Act Four , and his statue has already ' grac'd ' the triumph of his conqueror Marcus Scaurus ( II.ii.219-20 ) . Antiochus ' follower , the Flamen Berecinthius , wears a ...
Strana 220
... Antiochus ' spiritual kingship . And it is possible that it does so in a more precise way than we at first suppose . The possibility is raised by the similarities , to which attention has been drawn by A.P. Hogan , between Antiochus ...
... Antiochus ' spiritual kingship . And it is possible that it does so in a more precise way than we at first suppose . The possibility is raised by the similarities , to which attention has been drawn by A.P. Hogan , between Antiochus ...
Strana 221
... Antiochus shares with the Proconsul and his wife seem a courtly idyll after so many woes , but much that is said actually hints at a condemnation of Antiochus ' former way of life . They remember court amours and court intrigues , and a ...
... Antiochus shares with the Proconsul and his wife seem a courtly idyll after so many woes , but much that is said actually hints at a condemnation of Antiochus ' former way of life . They remember court amours and court intrigues , and a ...
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action Albanactus allegorical antimasque Antiochus Athenais audience Bashful Lover Bentley Bondman Caesar Cambridge captive Carlell Carnicelli celebration ceremony characters chariot City Madam Cleora conquered contemporary contrast costume court masque courtiers courtly Cupid dance Davenant Davenant's death detail Diocletian disguised Domitian Donusa dramatists Duke Elizabethan emblematic Emperor English entertainment entry exteriors Fiorinda Fletcher Fortune glorious glory Harbage Honoria Honour ideas influence Inigo Jones inner inset James Shirley Jonson King ladies later Leosthenes Luke masque Massinger's Mathias Matilda's moral neo-Platonic Oxford Pageantry pageants Pallantus passions Peace Philip Massinger physical Pisander play Poems pomp procession Pulcheria Queen realisation Renaissance Renegado Revels Revenger's Tragedy Roman Actor Roman triumphs royal scene seems Sforza Shakespeare Shepherd's Paradise shew Shirley Shirley's slave spectacle spectacular spiritual splendour stage directions suggest Tamburlaine theatre theatrical tradition Tragedy tragicomedy triumphal triumphant triumpher verbal victory virtue visual effects Vitelli vols