"A Diamond, Though Set in Horn": Philip Massinger's Attitude to SpectacleInstitut für Anglistik und Amerikanistik, Universität Salzburg, 1984 - Počet stran: 282 |
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Strana 188
... Fortune can raise us from low estate or 1 change proud triumphs into funeral 8 trains . ' Plutarch , in his account of Aemilius ' triumph , stresses the victor's devout awareness of Fortune's sway . When he loses one of his sons five ...
... Fortune can raise us from low estate or 1 change proud triumphs into funeral 8 trains . ' Plutarch , in his account of Aemilius ' triumph , stresses the victor's devout awareness of Fortune's sway . When he loses one of his sons five ...
Strana 196
... fortune · • such glory proves transient ; later in the play the hero 28 is alone and in disgrace . ' The triumpher is as likely as not to end by gracing another man's triumph : kings pull the chariot not of some Marlovian superman but ...
... fortune · • such glory proves transient ; later in the play the hero 28 is alone and in disgrace . ' The triumpher is as likely as not to end by gracing another man's triumph : kings pull the chariot not of some Marlovian superman but ...
Strana 198
Philip Massinger's Attitude to Spectacle Martin Garrett. Rome but by Fortune , that his captor is Fortune's subject too : Martius ' luck may change ( Cam.10.294 ) and in death he too must part finally ' from all thy garlands , pleasures ...
Philip Massinger's Attitude to Spectacle Martin Garrett. Rome but by Fortune , that his captor is Fortune's subject too : Martius ' luck may change ( Cam.10.294 ) and in death he too must part finally ' from all thy garlands , pleasures ...
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action Actor actually already Antiochus appearance associations audience awareness become Cambridge captive Caroline Cavalier celebration ceremony characters chariot City clear contrast course court courtly dance death detail directions Domitian Drama draw Duke effects elements Elizabethan English enters entry example expression eyes fact feel Fletcher follows Fortune further give glorious glory Honour ideas important influence inner intended interest John King ladies later least less Lover masque Massinger Massinger's meaning moral nature once Oxford Peace performed perhaps physical play Poems political pomp possible present procession Queen reality references remains Renaissance Revels Roman Roman Actor royal scene seems seen sense Shakespeare significance similar simply slave spectacle spectacular spiritual stage suggest theatre theatrical tradition Tragedy triumph triumphal true victory virtue visual visual effects vols