"A Diamond, Though Set in Horn": Philip Massinger's Attitude to SpectacleInstitut für Anglistik und Amerikanistik, Universität Salzburg, 1984 - Počet stran: 282 |
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Strana 16
... appearance is not only the common lot of man , but also a necessity if he is to reach himself ' ; appearance and reality become increasingly and profitably confused , and finally in the last plays ' A dream - world , in which fantasy ...
... appearance is not only the common lot of man , but also a necessity if he is to reach himself ' ; appearance and reality become increasingly and profitably confused , and finally in the last plays ' A dream - world , in which fantasy ...
Strana 17
... appearance . Putting off one's ' naturall shape ' , as Sanazarro does when , deceiving his prince , he disguises him- self in ' the adulterate , and cobweb masque / Of disobedient trecherie ' 28 W. Clemen , ' Appearance and Reality in ...
... appearance . Putting off one's ' naturall shape ' , as Sanazarro does when , deceiving his prince , he disguises him- self in ' the adulterate , and cobweb masque / Of disobedient trecherie ' 28 W. Clemen , ' Appearance and Reality in ...
Strana 97
... appearance to forgive Grimaldi is visual enough : he enters ' in a Cope like a Bishop ' ( IV.i.72 SD ) , and the repentant sinner is all ' turnd into eies ' ( IV.i.74 ) , kneeling to the ' shape ' ( 79 ) which he at first takes for a ...
... appearance to forgive Grimaldi is visual enough : he enters ' in a Cope like a Bishop ' ( IV.i.72 SD ) , and the repentant sinner is all ' turnd into eies ' ( IV.i.74 ) , kneeling to the ' shape ' ( 79 ) which he at first takes for a ...
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action Actor actually already Antiochus appearance associations audience awareness become Cambridge captive Caroline Cavalier celebration ceremony characters chariot City clear contrast course court courtly dance death detail directions Domitian Drama draw Duke effects elements Elizabethan English enters entry example expression eyes fact feel Fletcher follows Fortune further give glorious glory Honour ideas important influence inner intended interest John King ladies later least less Lover masque Massinger Massinger's meaning moral nature once Oxford Peace performed perhaps physical play Poems political pomp possible present procession Queen reality references remains Renaissance Revels Roman Roman Actor royal scene seems seen sense Shakespeare significance similar simply slave spectacle spectacular spiritual stage suggest theatre theatrical tradition Tragedy triumph triumphal true victory virtue visual visual effects vols