"A Diamond, Though Set in Horn": Philip Massinger's Attitude to SpectacleInstitut für Anglistik und Amerikanistik, Universität Salzburg, 1984 - Počet stran: 282 |
Vyhledávání v knize
Výsledky 1-3 z 19
Strana 192
... chariot as she is speared by Atropos ; in a sixteenth century French manuscript Death stands on the body of Chastity but is about to fall before the 18 trumpet - blast of Fame , which has awakened the dead . The chariots are usually ...
... chariot as she is speared by Atropos ; in a sixteenth century French manuscript Death stands on the body of Chastity but is about to fall before the 18 trumpet - blast of Fame , which has awakened the dead . The chariots are usually ...
Strana 194
... chariot . He himself may be making this association when he declares , entering Babylon drawn by the captive kings , Where Belus , Ninus and great Alexander Have rode in triumph , triumphs Tamburlaine , Whose chariot wheeles have burst ...
... chariot . He himself may be making this association when he declares , entering Babylon drawn by the captive kings , Where Belus , Ninus and great Alexander Have rode in triumph , triumphs Tamburlaine , Whose chariot wheeles have burst ...
Strana 195
... chariot of estate ' ( 2 Tamb.V.iii.178 ) , 27 he once more propagates the notion that the triumph will go on for ever . He gives us the impression that he is a moral force in the world , the Scourge of God , and as victory follows ...
... chariot of estate ' ( 2 Tamb.V.iii.178 ) , 27 he once more propagates the notion that the triumph will go on for ever . He gives us the impression that he is a moral force in the world , the Scourge of God , and as victory follows ...
Běžně se vyskytující výrazy a sousloví
action Actor actually already Antiochus appearance associations audience awareness become Cambridge captive Caroline Cavalier celebration ceremony characters chariot City clear contrast course court courtly dance death detail directions Domitian Drama draw Duke effects elements Elizabethan English enters entry example expression eyes fact feel Fletcher follows Fortune further give glorious glory Honour ideas important influence inner intended interest John King ladies later least less Lover masque Massinger Massinger's meaning moral nature once Oxford Peace performed perhaps physical play Poems political pomp possible present procession Queen reality references remains Renaissance Revels Roman Roman Actor royal scene seems seen sense Shakespeare significance similar simply slave spectacle spectacular spiritual stage suggest theatre theatrical tradition Tragedy triumph triumphal true victory virtue visual visual effects vols